How does it feel to die?

Through iousbopitic eyes wide as a plate and anxious smiles hidden from under tight lips, almost all those on the colonizer ship, referring to Niflheim (named for the cold, foggy area of ​​the dead in Norwegian mythology) The Mickey Burns - or one of the many human prints of him - very much to his joke. No matter how many times he dies, he never gets easier, but Mickey finds comfort in knowing that no matter how, he will still wake up in the morning no matter how brutally his death is the previous day.

After a few risky shark financial proceedings, they inspire Mickey Burns (Robert Pattinson) and his business partner Berto (Steven Jun) to avoid the country to avoid being killed by the shark's difficulties, Berto quickly finds a gig as a pilot, while Mickey volunteering to be "spent", or a person who will handle suicide missions in the name of science to improve the human colony. Every time he dies, a new version for him is printed with all his memories unchanged, even if the individuals of every print are not perfect in line.

Despite his unusual existence, Mickey managed to find a loveice with our (Naomi Aki), giving this spent life worth living and more importantly, it's worth fighting. But everything is in danger after the human printing edition of Mickey 17 is believed to have died on an expedition through Niflheim, and another copy, Mickey 18 is printed. Now the sets of Mickey (and those who love) must fight to fight to They keep them a secret from the cult, fascist, self-derived, strokes, Kenneth Marshall (Mark Rufalo) and his malicious, puppet, female-based sauce dressed in sauce, ylfa (Tony Colet) before being exterminated for good.

With an exalted team, "Mickey 17" is a deeply warm and uncomfortable ridiculous reinforcement of capitalism, colonization and corruption. It's a perfect movie for our time, and the best English-language film on Bong Oonun-Ho is still.

Studies and streamers usually publish their films fighting for Oscar quarrels in late autumn or early winter just before the vote, but if there is any justice in the world, "Mickey 17" will follow in the footsteps of "Everything Everywhere Suddenly" And persistent despite being released at the beginning of the year. Director Bong should absolutely be discussed by the best director, the best adapted scenario and the best picture, but if Robert Pattinson does not go nominated for best actor for his performances as multiple Mickey, something is very, very wrong.

Pattinson has proven to be one of the most interesting talents currently working today, but Mickey 17 is undoubtedly his best performance. Sorry, "Batman" and "The Lighthouse" (... and "twilight", I said that) I love you. He effortlessly captures the tone of "Mickey 17", especially through Mickey 17 and Mickey 18-fluctuated among the loud black comedy on the script with the pure frightening implications of the political cartoon in the film's core.

Naomi Aki, who was stunned last year The criminal underestimated "Blink twice", He continues to prove why it is a huge growing star, serving as a moral axis that the whole film relies on. Steven Jun is, as expected, a wonderful support player, while Mark Rufalo and Tony Collet turn gold with their strange elite features. Rufalo is especially an absolute thief on stage. If you thought he was going for it in "poor things", you better quarrel for "Mickey 17."

For those who are for Inuja in director Bong through His award -winning Academy "Parasite", I strongly encourage you to get involved in "Oka" and "Snoopier", as "Mickey 17" is far more in line with those stories of the former (while we still share thematic similarities). Director Bong is a modern author and sharing a time frame with this living master of the craft is an honor that we should not take it easily. Only he can take a premise so chaotic and strange and make him feel so intimate human. He understands us better than our therapists could, and are inserted into American anxiety with such precision that our home executives should be ashamed of being too cowardly to cope with as much authority as he has proven time and again.

Director Bong's film creation has become defined by mixing comments on social inequality and dissection of human existence by telling stories of genres, not afraid to criticize systemic structures with as much as possible, visibly contrast. Working residents of the Don Deep Gray Uniforms that are practically mixed with the cold, industrial ship they call it at home, while the rich elite explodes in color, rich meals and loud tips bordering the cartoon villains. In particular, Mark Rufalo chooses not to be a mustache threat, but instead merges the internet-spoken around 2014 vocal tics of oligarchic losers such as Elon Musk and the uneven, uneven rhythm and breath of Donald Trump. If you told me the way he talked about Niflheim's indigenous residents, they were pulled directly from the anti-immigration press conferences, he would not interrogate him.

I would say that director Bong is pollen for its accuracy in the warning of our current political climate, but the reality is that America is so damn predictable, and director Bong was brave enough to say it out loud. The fact "Mickey 17" was delayed in its release, just making the film even more relevant, with Kenneth Marshall no longer appearing as a unsuccessful Vanab, but instead, a warning story of what to come if we don't fight back, Now. If only the Congress could take a page from Director Bong's home country about what to do with Wannabe's dictators.

While the concept of human printing for happiness does not exist (still), Mickey Burns' journey is unfortunately too relative. The term "regulations are written in blood" is not just a heinous phase, it is a reminder that any safety caution in our society is created in response to the serious injury or death of a human being. Capitalism already treats human beings as consumable, maintaining us financially and ready to put our bodies and minds through hell, if that means we can afford to stay alive, only to replace us without hesitation if they consider it necessary.

"Mickey 17" crystallizes our terrible reality in an existential parable, the one who fundamentally understands the hell of the working class with the allegorical precision of the "twilight zone". It is a story about people finding a loveice, a relationship and a community under hopeless circumstances and a rally that we all deserve better conditions for existing ones.

/Film rating 9 out of 10

"Mickey 17" opens in US theaters on March 7, 2025.