There should be some kind of streaming moratorium as we realize what is happening on Earth with our viewing habits. Recently, The forgotten film by Owen Wilson and Zack Galifianakis found a second life in the premiere video Although it has a miserable rating of 8% of spoiled tomatoes. Now, a new hit streaming has beaten Wilson and Galifianakis in that regard, after climbing Netflix charts with an even lower result.

The 2016 "Fall" is a romantic fantastic drama based on Lauren Kate's novel in 2009 with the same name. He is starring Adison Timin as Lucinda Price, a teenager who has been sent to school for sword and reform intersections. There, she meets and is rapidly developing deep attraction to Daniel Gregory of Ereeremi Irvine. However, as it turns out, Daniel is a really fallen angel who has been struggling for Lucinda for centuries. A look at the movie trailer and I can't help, but I feel this is for the cynical mixing of popular fantasy franchises as it is possible to get. From the Hogwarts-ESK sword and the cross to "Twilight"-inspired Love Bowl that includes a mysterious and problematic lonely with supernatural forces, the "fallen" really looks like AI's best attempt to fuel a generic romantic teenage fantasy-it was probably why it was probably why it was and commercial disaster.

After the release of the selected Asian markets in 2016, the film debuted in the United States on 22.09.2017 and did not find it at all. "Fallen" just stuck $ 3.45 million The global treasurer against a $ 40 million reported budget, which makes it authorized Treasurer Bomb, not the type that is actually worth seeing. Why? Because critics hated this bad trip to fantasy, also in the end, leading to a score of 7% critics Rotten tomatoes.

Then, why do I ask, is the "fallen" currently strong in the Netflix graphs?

"Fallen" was directed by Australian director Scott Fix, who had previously received two Oscars for Harming "Blesok", his biopic for real -life pianist David Helphg. Unfortunately, the "fallen" didn't get Hicks anywhere near the Academy's attention, but at least now it goes well to Netflix.

During writing, according to the streaming search seeker FlixpatrolThe film is in the table with Netflix's most watched films all week in the United States. It hit a high level on February 5, 2025, when it reached the number four, but has since slowly losing steam. It fell to the number five on February 6 just to stay there until February 10, at which the number eight fell. The Review of the Flixpatrol table It seems that, as of February 11, the "fallen" disappeared completely from the graphs. However, however, you see it, it is a nice little for this forgotten fantasy walk.

"Fallen" was mixed by graphs partly as a result of some new movies that hit Netflix, including Amy Schumer's new comedy "Kinda Pregnant" (which was looking for the number one Despite its 22% RT score). Meanwhile, Cameron Diaz's "Back to Action" dominated by Netflix tables after its releaseSomehow it still adheres to the position of the graph after three weeks, as long as a sporty score of 28% RT. As such, "fallen" faced heavy competition - or, more precisely, faced competition with higher rates of 7%.

In 2023, the Michael Fassbender Flop "Snowman" has shown and proved that Netflix viewers seem to see something. That film also had a poor rating of 7% of "wounded tomatoes", so "fallen" to find Netflix success should not be all that is a surprise. However, just look at these reviews.

Writing for Rogerebert.comMatt Fagerholm marked the movie "Another would be a franchise inspired by recycled formulas rather than life experience", and concluded that he was condemned to condemn "TDA-tragically indifferent audiences". The Newoux Times"Theo Bugbe, meanwhile, has found romantic elements that have no" any of the organic interaction that can produce chemistry. " Then why are Netflixes transmitting this film seriously?

I suspect that part of this is that streaming has just reduced our collective expectations for making films. If today's "fallen" was produced, it would probably go directly to streaming, where, based on the new success of the Netflix film, it would have been good. Unfortunately, it seemed shortly before streaming really dominated the landscape for making films. Also, it just wasn't very good, obviously, so it didn't help. Moreover, we are simply bombarded by so much "content" that it is often easier to hit a game of whatever appears in the "recently added" category. Whatever the reason for the "fallen" and her colleagues to succeed in Netflix, this seems to be the new reality for some time.