I have a confession: I think there are some problems. Before removing your torches and peaks, let me clarify that I really like the show. Has a great aesthetics that just get better "Season" Season 2 Thanks to some main cinematography, plus performances are great and surreal, a dark mystery box for a comedy for all this is undeniable. But at the same time, the first season of the show felt a little tightened in a way that bothers me.

If Lumon cannot inflict physical harm to their cut off employees because it will harm descriptions, then that prevents the Incts from physically resisting their psychological penalties? Would Lummon really risk physically hurting places by pulling the Incts to be tortured in the break room? Why are cut off employees even necessary when Lumon has so many insignificant employees working on the floor? Who are some of the villains, except for the caricatures of the stereotypes of the middle manager? These questions and others like them always got me out of the show, and while I know that all or all of them can one day be answered as the mystery is revealed, shows like "cut off" do not have the best performance to do well on their promises when they will They use them for so long, building them.

But then I watched the "North" season 2, episode 5, "Trojan Horse" and almost all my complaints were immediately addressed. I thank my happy stars and Apple TV+ for employment Beo Willimon, the mind behind the spectacular prison bow in the series "War of Starvers" "Andor", " To write an episode of the show. And that is exactly the same brand of established, materialistic science that made those episodes "Andor" so great that Willon brings them to the latest episode "separation"-that would argue is still the best show.

Trojan's "Horse" has a series of scenes that help add texture and context to the main stories of the show-concrete, Lumon's internal affairs and its treatment of not serviced employees. Mr. Milcik (Tramel Tilman) is the central character for much of this, as we see him dealing with conflicting feelings towards his employers and employees.

Early, he scattered with Miss Huang (Sarah Bok), throwing some of his management weight around what seems to be an office rivalry. Later, he is seriously quarreling in his performance review, where we find out that many of the more suspicious activities in the workplace seen so far this season have been his initiatives, not those of the company as a whole. At the end of the episode, for the first time in the whole show, we see Milcik's unusual cheerful mask, finally descending for Split second when he faced with Mark S. (Adam Scott) in the elevator. A single F-bomb is enough to destroy the illusion of Milcik's kindness behavior, and for the first time in the history of the show, I began to believe that there could be real, physical consequences for continuous bad behavior on the cut.

At the same time, Trojan's "Horse" finally brings a long -term discussion of the ethics of employment in wicked corporations. When Rickn (Michael Fernus) gets excited about the ability to write a self -assisted book approved by Inni Company, Devon (Enen Tolock), saying it will be a feeding of a corporate machine they know is cruel. Rick recognizes it, but recognizes the elephant in the room - the money is good. And what if he could actually do something good and change things from within?

Each story of science fiction descends to the gradient of a material context. How feasible is the idea? How thoroughly the story explores its consequences and techniques? Having a scientific story that is less tied to reality is not a problem, but when you deal with as much material ideas as it does "cut off", all the work begins to feel hollow if you do not go to certain things.

For the whole play to this point, the characters like Milcik and Harmony Cobbel are a little more than well -drawn cartoons of the middle managers in the real world. The plays are strong, and they are certainly nasty, but what is their true relationship with this strange place, except for the cult upbringing of harmony? What is their relationship with the work outside of what lucon ships are, written large? Looking at Milcik as opposed to her own shortcomings, it is finally forcing some answers to that question. He is not an animator's puppet in a haunted house, but one of those self -assembly managers who really believe he can make a terrible company a great place to work. That is Type of details that actually consider the scientific concepts of the story of something real. It makes the entire Lumon office feel less like a maze of theme park and more like a real, living machine, full of rotating wheels and clips pumping from the screen.

It is the same earthen approach that Willon helped to bring "Andor", a show that is widely praised To convert "Starwells War" into something much more mechanically complex. From where "New Hope" shows a rebel army located with ships and weapons, Andor asks where that money comes from, how they are washed and distributed, what politics looks like within the rebellion and how life and the galactic economy under the imperial rule actually actually things. While the mystery can carry "cut off" a long way, this kind of episode is needed to fill Lumon's world And show a little on the clock behind the scenes.

The new episodes of the Season 2 arrive on Friday.