On the original "Starwar Track", The USS Enterprise computers They were operated by a series of switches, dials, buttons and buttons, many of them not marked. For the most part, switch functions remained unclear to viewers. It seemed that a qualified Starflit officer, while sitting on the bridge, would simply have to know which switches activated which system just to perform even the most basic tasks of the ship. Perhaps careful paths may have been able to look at the actors "Star Trek" and notice what buttons they are pushing when captain Kirk (William Shatner) ordered to go into distortion, but they said the actors may admit that more or less buttons are being imposed. at random.

On "Star Trek: Next Generation", computer panels have become far sleek and more sophisticated. The buttons and selections were replaced with flat, dazzling touch panels, each of them decorated from square "windows", strangely numbered subrustines and dozens of oval shape buttons. Officers' plane officials looked like typists, constantly bringing information into their personal touch panels.

Although never mentioned by the name of "Next Generation", the computer graphics interface was called LCARS. This term has been taken from many, very expansioned texts to the universe, especially Rick Sternbach and Michael Okuda's source in 1991 "Star Trek: Technical Handbook for the Next Generation", "" Must match deep paths. According to that book, LCARS stands for "computer access/search system".

LCARS was not a vague detail. It was the basic design of all Star Trek stars from 1987 to 2001, before returning to some of the newer performances "Star Trek" in the 20s.

There were several significant big strain on the LCARS equipment throughout the franchise "Star Trek", and it can be seen that great attention has been taken into its design. LCARS was invented and designed by Michael Okuda, who followed a mandate by the creator of Star Trek Genin Bornboys. The "Next Generation" computers had to look more advanced than those of the original series, so Ocuda (Who is involved in multiple Star Trek projects, including "Star Trek VI: Land Earth") In response, he invented the touch -based touch panels. The idea was to have much more visual activity on the computer's computer screens, which means that millions of activities need to be taken daily just to maintain the ship.

Ocuda's designs have also expanded to tribolals, and a few large number of handheld scanners to open flip have found that they are also complicated pieces of machinery and need a lot of adjustment to work properly. You can also see the LCARS design of the Padd (personal access device), which is the equivalent of "Star Trek" on today's tablet. In 1987, Padd was high-tech; In 2025, it is in the living room of all. Okuda's designs also made Star Trek computers look difficult and Byzantine, which, strangely, made them more realistic. It was nice to think that Star Trek's computers were so unbearably sophisticated that it would require special training in their work.

Closely closely on the LCARS panel it may find that most of the buttons are marked with vague five-letter codes, usually presented in a two-letter--three-way configuration. The trays will be able to tell you that these five -letter codes are colloquially listed as an occupation, while the letters are the initials of the people in the Star Trek production team.

Paramount, of course, possesses the rights of the LCARS design and had to take legal activities against individuals who designed phone applications that used LCARS layout and color scheme. However, some modern computer companies have licensed the design of LCARS, and Trekkies can now use Padds pretty much in real life.

There have also been several cases throughout the Star Trek franchise, which means that certain LCARS systems are operated on Padd that produce tactile, "uploaded buttons" systems, allowing them to be operated by visually impaired officers.

LCARS was in use with a fairly same design during the 90s of the last century Star Trek and was redesigned for the Star Trek films a bit for the last days. The warmer lavender, gold and escape gave way to "blues and whites". The classic system was returned to Star Trek: Lower decks in 2020 ("Dolni decks" was set only a few years after the end of the "next generation"). In Star Trek: Picard time frame, The series has set several decades after the "next generation", LCARS has partially moved from Padd and panels to hovering, pro -concaring holographic displays. However, these types of displays were usually seen only in conference rooms or in people's homes. For the most part, the touchscreen panels remained in force as the standard of arsevolal workstations.

In the early days of the "Next Generation", LCARS displays were illuminated with rotating light fixtures and did not have very significant graphics, which would be difficult to achieve in 1987. It was not much later that production staff would install Star Trek sets with real TV screens.