Drew Stranzan, a renowned artist whose iconic, hand -illustrated posters have caught the essence of classic films stretching from "Starwells War" to "Harry Potter" and decorated the Wallsids of every child ever for the cinema inubs, is dead. He was 78 years old.
Raising the importance of Stranzan as an artist of a poster coincided with the arrival of a franchise film in Blockbuster. He was looking for visionary directors such as George Lucas, Steven Spielberg and Johnon Carpenter and quickly became the Dreamweaver of the studio. I grew up poor (he once told the journalist that he had learned to draw by sketching toilet paper with a pencil), Stranzan took this job with pleasure And he never called in one task. The high -end eye and a showman blossomed by Indiana Ons: Thieves of the lost casket "and" Blade Runner "applied with equal intensity of posters for" The Cannonball Run "and" Police Academy ". All the films, for him, were full of magic.
The brilliant work of Stranzan was not limited to film posters. In the early and mid-1970s, he drew Hollywood's eye through his indelible album for artists shooting just as different as bees, Roy Orbison and Black Saturday. He made illustrations for the stamp on the United States' postal services, business logos and numerous book covers. Once the structure was established, it was immediately identified and completely unthinkable. No one could beg or paint as a stray, making it difficult to accept that we saw our latest new illustration from the Lord.
From PRIRIR to war on the starvers
Born on March 18, 1947 in Oregon City, Oregon, Stranzan exhibited a talent for fine art and illustration at an early age. He gathered at the prestigious Articent College of Design in Pasadena, California in 1965 and quickly decided to continue with the illustration as a career because he offered him a money, who would marry young and had a child to support, the best opportunity to make a living from his abundance. He chose wisely.
The money was not true during the early part of the illustrative career of Stranzan. Despite knocking out the vibrant imaginary albums for Karol King, the Effefehenson Plane and Alice Cooper (Rolling Stone once declared Stranza's art a "welcome to my nightmare" to be one of the top 100 albums of all time), the salary was. Exactly around this time, a Hollywood study with deep pockets was.
For the artist who vibrated Macaber and cosmic fantasies from the 1970s music acts, Stranzan was a natural fit for Hollywood that was on the massive change of the paradigm to the EP-Facish and Mega-Adventions driven by Klifanger. Stranzan got the foundation in the industry with some beautifully horrible posters for the B-Frix as "Food of the Gods", "The Empire of the Ants", and, best of all, "squeezed" (which also served as an early, horrible calling card for the young artist for makeup Rick Baker).
When Fox hired David Whiteer to illustrate the poster for the re-edition of "Starwells", the artist caused by portraits, brought it to the Luke Skywalker's human figures, Princess Leia and Jan Solo. That classic posterwho returned to the Buck Rogers series that inspired George Lucas's space opera by presenting himself as a kind of torn published account that would find the Wallid slap in a big city was an instant classic of form. No one, except for the most famous film poster, the nerves of the time, knew who was responsible for doing so special, but the directors and marketing departments noticed the talent of Stranzan. Everyone admitted that he was the best in business.
No one caught the magic of movies like Drew Stranska
For the first time we learned that Stranzan was fighting Alzheimer's March 26, when his wife Dylan shared the details of his deteriorating condition in a Facebook post on his heart. Here I learned that the work of Stranzan was originally inspired by the modernists, but that it was also caused by impressionist and Renaissance masters. He was, in a way, Michelangelo's films, treating every movie, Be it a "thing", "Go back to the future" or "DC Cab", as it was worthy of your own "last verdict".
The work of Stranzan was so brilliant in particular and transporting film directors that he helped to promote some of his biggest fans. Steven Spielberg, George Lucas and Guillermo del Toro have all sang his praise over the years. In the video filmed for the concert celebration "The Beautiful Film of the Drew's Poster in 2017", Spielberg told the artist:
"You have so well crystallized, they have memorized our films in this great still poster art that we have all blessed over the years. From the war of Starwides to Indiana Onesons, you have been so much part of how our films are presented to the world based on your image and vision of what they have been, and how they are a artist, and how they are an artist, as a Collective composition with your art.
Strong is strongly linked to millions of fans of the film who loved the cinema as much as he did. He fired our imaginations like no one else in his field. How "how to train your dragon" Director Dean Dablois Statement at the Hollywood Reporter in 2018, "I could go to the theater and stare in the poster and try to remind everything about the film. And it just jogged my fantasy. It made me want to be part of that world and - here I am, a few films."
I clearly remember that I was doing this in the summer of 1984 with the epic poster of Stranza for "Dreamscape" by Josephosef Ruben. Any movie that can extract that art from the master had to be worth my time - and that a lot was. I am very sad that we will never see a new poster of Drew Stransan, but oh, what miracles he left us.
Let us try to respect the words that grace the cover of the his web site: "Continue peace, follow the Kindubas."
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