This post contains Large spoilers for "pushing daisies".

The Apple TV+Foundation has become something to sleep. There is a lot to be loved during the three seasons that have been broadcast so far, but Lee Pais Clion is an intriguing focal point. Immortal and navel less than the causes associated with the orbus, this version of Clion (called Brother Day) is narcissistic and tab, tormented by uncertainty hidden under the layers of humor and threat. This can be one of Pace's most unsuitable representations to this day, because the actor makes this antagonist feel the bigger than the life that the "Foundation" merits would not work the same without it. The magnetic presence of pace aside, Current "Foundation" is the hottest new entrance to scientific television. It is a show that it reviews the concepts of artificial intelligence and genetic cloning through epic lenses, and the results speak for themselves.

Determining Pace's career is truly commendable-the man played Transuil in the Hobbit trilogy, Ronan, the defendant in MCC and delivered a stunning performance in his early career at Tarsem Singh's "Fall". But We're not talking enough about "pushing the daisy of Brian Fuller", A comedy-drama series that earned an Emmy's nomination for an remarkable leading actor in a comedy series. The show did not fit into the genres of the word, which is expected if you are familiar with Fuller's creative approach, well, something (as best proven in his "Hannibal", which has set very high rows for a psychologically dense procedural formula for crime).

"Pressing daisies" uses a fairy tale in combination with a covert forensic procedural format to take over the most eccentric situations and characters, which helps create a story that is sincere and deeply morbid at once. But what makes this valued series so special?

The premiere of the show, "Pie-flight", introduces Ned (Pace), a charming owner/cook of a disturbing secret. Ned can bring things back from the dead with just one touch, but he cannot abuse this power of will. If a non -return entity for more than a minute, then another entity of an equal mass must die in its place. Only this is crazy The room, as it almost feels like a one -time episode of "Buffy the Vampire Slayer" or "Supernatural", but instead, Fuller is the show in the heat and comedy.

The visual aesthetics of "pressing daisies" is like that of the pop-up story: bold, vibrant and full of colorful characters that are eccentric in a way that complements the surreal quasi-reality of the show. There is also an unusual for the setting, which collides with more philosophical themes embedded in the insulation of NED. Unable to hold someone he loves, Ned can only use his gift to carcasses for a minute to help solve their killings or convey their last wishes. This is when Chuck enters the scene.

After Ned resurrected his killed children's crush, Jacques (Anna Friel), they are in the run. The law on equivalent exchange aside, the second touch by Ned can send the risen entity back to the country of the dead, which is permanent. Thus, the couple is only able to touch through indirect means - they kiss with a strap through a siding for fastening and wearing gloves while holding their hands. However, as expected, the problem is developing above the horizon fast enough.

It's a shame that "Pressing the daisies" ended only after two seasons (Partly because of the 2008 writers' strike), but there is reason to be grateful for the story that was not afraid to take such strange, wonderful changes.