Massive, large, cruise the size of a boat spoilers For the "Womanic in Cabin 10" - both the Netflix movie and the book of the same name. Continue with caution!
I feel like I need to admit, right from the gate, that I Understand that Most book adaptations are forced to change their narrative structure so that it will translate better or on the large or small screen. This becomes a particular problem when you think about the point of view of each specific novel; If we experience the book through the eyes of the protagonist in the first person, it is impossible to do that work in a movie or television show. However, there is one thing about the new Netflix original "Woman in Cab 10" that completely disappeared in the adaptation process and that is the voice of the story of the story, Lauren "Lo".
Played by Keira KnightleyLo is an investigative journalist who agrees to take the task of a girl's trip to a luxury cruise ship called Aurora with courtesy of a rich and famous man named Richard Bullmer (Guy Pierce) and his wife Anna (Lisa Loven Consli), the source of Richard's wealth. When Lo accidentally enters the Aurora Cabin 10, she meets a mysterious woman known only as Kerry (GIT WIT) there - and when Lo hears mysterious sounds that sound like someone in danger later that night and Then Listen to someone who obviously crashes on the plane, she cares she is Kerry. Unfortunately, as the ship's staff tells, no one was ever Cabin residence 10.
All this is to say that "Cab 10 Woman" is a pretty mystery to boiler killings, clearly inspired by the work of Agatha Christie, but the adaptation feels a little ... empty. Why? It all comes down to the different lack of Los in the film, which potentially It could be solved with something that could sound unusual at first.
This sounds crazy, but the woman in Cab 10 may actually benefit from the voice
Listen to me out. Please. I know voice areas can Be truly glued and often, but I actually think "the woman in the cabin 10" would benefit from voice. Not only will it help the movie Harken to return to the aforementioned mysteries for classic killings, but it will help us get into the head of Lo, and if you have read the book, you know it's messy there. Like many other thriller heroines - to the extent that it is a trophy, frankly - Lo, tells us quite a timely man that he drinks a little too decent amount of time, and after her apartment is attacked and buried before she has set Aurora, we also find out that she is an indefinite cure.
None of this is a verdict, but in Ruth Weer's story, it feels clear that we should gather it, though light and well -intentioned, may not be the most reliable witness or narrator in the world ... Helping to doubt her theory that someone was killed on the ship and helping other characters in the story.
Lo continues to drink after placing the ship in the novel, and not only surrounds her judgment and perception, but also experiences a significant mental health crisis after experiencing that awkward invasion of the home. If Keira Knightley provides voice as LO, we would get A. a lot Take a better look at her inner monologue at the literal level, but maybe we have understood what she is going through. As it stands, it is, like the ship itself, is a mostly empty container.
After all, the Lo Bloch leaves very little impression as the protagonist of the woman in the cabin 10
In an interview with TudumThe Netflix website, Ruth Weer, spoke with her intended message between the "Woman in Cab 10" (and, frankly, his sequel from 2025 "Woman's in Suite 11", which is pleasant, but, in my opinion, it hits one of the same rhythm as well. "Do we know? I don't know if, after watching the" Cabin 10 Woman ", I think it's all for a lot!
This is certainly not Weir's fault, nor is Keira Knightley, who does his best with the weak material he gives. Unfortunately, Lo is an audience of the oldest kind, quietly wandering through different spaces on the ship to solve a mystery without ever communicating her thinking process, which one, againNot at Knightley, but the film director Simon Stone and his co-writers Oeo Shrapnell and Anna Waterhouse. You can, no doubt, allow the "Womanic in Cab 10" simply washed away from you on a rainy day this fall, and you will probably have a pretty good time, but especially after reading the original book, I just can't help, but I feel like the story is more complete, deeper and more focused. The voice proposal sounds silly, but it can work, honestly.
"Cab 10" Woman is now running on Netflix.
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