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When the team at the New Line cinema tried to make "Freddie dead: the final nightmare", they intended to kill the demon of the dream of Elm for good. The sixth and intended final film of the franchise (which would expose the new Wes Craven nightmare, "Freddie Against Jason", and the rim of the original in 2010), will see them Freddie Krueger went down once and for allNever return to terrorize the Chinese screens with a new exit once again. Killing Freddie Krueger would not only be the end of the character, but one of the icons of Mount Rushmore that makes completely changed the genre forever. Freddie couldn't come up with a whim; He was supposed to go out in the most extreme possible way, and in 1991, that meant to take things in 3D.

At the end of the "Dead of Freddie", Kruegar's long -lost daughter, Maggie (Lisa Zane), decided to enter Freddie's mind and pull him into the real world to get him out. Once she is in the dream world, she puts a pair of 3D glasses, which also signal in front of the audience to wear her 3D glasses to see the last showdown. She learns about her father's troubled past and the source of his demonic immortality, before bringing him into the real world and stabbing him with his glove for a razor (and then blown him with a pipe bomb). Since I was still in diapers when Freddie Dead hit theaters, obviously I didn't get a chance to see him 3D in action. Unfortunately, this is the case for most Freddie fans, unless you have somehow managed to get your hands on the DVD -Nightmare Collection on Elm, published in 1999, which shows 3D -completing special features. The original edition of the VHS of Home Video did not include the 3D kite. Although laser versions and DVD versions have an end, with no effective 3D glasses or high-product TV, Never looked the way it should.

However, with the recent publication of A set of steel books with 7 films containing the entire franchise "Nightmare on Elm Street" And progress in technology, horror fans can now finally see the true vision. And as director Rachel Talalaj told me during a recent interview, she is absolutely thrilled.

"3D was incredibly difficult to do in those days with the amount of money we had," Rachel Talalay explained. "I mean, that's the other side of it; that we didn't have money. We had so little money in those days for all the films." 3D films are usually reserved for massive, larger than the lives of large budget blockbusters, not flooded movies that are welcomed for their microscopic budgets that generate mass profits. She says the original film "Nightmare on Elm Street" has been drawn for about $ 1 million. By the time the Six Six was turning around, they boosted the budget to approximately $ 6 million, but that budget included the creation and involvement of new film technology. "Freddie is dead" was the first time that the New Line cinema ever engaged in 3D films, so this was an unexplored territory for them. But for those who were there, it was obviously Wonderful.

"It is completely exciting for me because I talked to the people who saw the movie in the theater and they say 3D is kind of wonderful," says Talalaj, "but it wasn't very good at home because we were stuck with Anaglyph 3D (it's red/blue 3D)." However, when they were shot by the "dead of Freddie", they shot him properly with two massive cameras registered with PIN, not only deny the image, what was what it looked like on most home video editions. "Now with digital technology, they were able to take the left and right eye because we shot it properly," she says. "It's not what most of the time is done right now, which is post-3D, we shoot in 3D (...) and they were able to take and digitally map both eyes. "

Since they actually shot the film to be in 3D, they always looked great in cinemas, but less than great at home. However, technology and image quality of home television have progressed to the point where 3D theater experience can be replicated at home. Since then Talalay has done several 3D projects, but says she really believes that 3D in Freddie's "dead" is "really good", and that seeing the end of the way it was to be seen will change the experience for the audience because of the stroller. As he explains:

"You tend to edit slower in 3D because it takes your eyes for a long time to level, and so all these people who have never seen 3D never see walking. And it feels more exciting because (...) The conclusion is written around 3D. So, for all these years looking at it in 2D, you will see much more."

And Talalay has no fear of more generations of fans who watch the film in a new light. "I am very excited, I was not scared at all," she says. "This is the best I've ever seen." I can only hope that the new 4K film restorations also signal an increase in the repertoire theaters showing "Freddy of the Dead: The Last Nightmare" on the big screen. As exciting as it is to watch 3D at home, I love experience in 1991!