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Several sequels to horror are pulled as "Freddie Dead: The Last Nightmare". Often firing like too many camps and too humorous for a deeply disturbing terror that is in the center of Franchise "Nightmare on Elm Street"Behind the nonsense one -league and cartoon violence is bold, bizarre and really carefully (at that time) sending one of the biggest villains of horror. Released in 1991, "Freddie Dead" was made with the intention of being the end of the franchise after "ELM 5 Nightmare: The child of dreams" disappointed with the box office.

The new cinema was ready to pull the plug, and Rachel Talalaj, who was involved in the franchise from the beginning, fought for the director's chair. Bringing fresh ideas and a plan for a real final (that, of course, will be revealed by "New Nightmare of Wes Craven" and "Freddie Against Jason"), Talalay became the first woman to direct a sequel to a large studio Heroric Heritage Franchise, with Michael's scenario.

Under his rubber panties and surreal pieces, "Freddie's dead" explores generational trauma, broken families and the perverted legacy of abuse - decades before The trend of the horror "trauma cycle" is currently dominated by the landscape of the genre. Unfortunately, this heritage is often forgotten in favor of hugging Retro Fun of Death of Spencer's video gameTracey hits Freddie in "Nards", or joked on lines like "I get you, my beautiful! And your little soul, too!" But the topics of the "Dead of Freddie" were ahead of their time, and as director Rachel Talalaj told me during our exclusive interview before "Nightmare on Elm Street" 7-movie collectionShe doesn't think the film gets enough credit for it.

"When I read the most information about" Freddie Dead ", or people hate it too" Luni Tunes "or wanting it to be a comical version of the show," says Rachel Talalay in our exclusive interview. The film focuses on Freddie Krueger (Robert Englund), who, after killing every child in his hometown, engages in a new city where his long -lost daughter Maggie (Lisa Zane) works as a therapist for troubled youth in the hope of recruiting her rule of terror.

Talalay also noted that screenwriter Michael de Luka is rarely raised in discussions about "Freddie of the Dead", which is strange given that he is now co -chaired by Warner Bros. CEO and Pamela Abdi. "Mike was a very young, updated CEO when he wrote for us, and a huge fan of horror and series," she says. "It's a pretty remarkable view of child abuse and teenager abuse and homelessness and he really referred, I think, very important topics, but it is lost in discussions about aging technology or episode humor."

Almost every character in "Freddie's Dead" brings physical and psychological scars, including Freddie himself. More than any other installment, "Freddie's dead" explores the wider consequences of Krueger's terror - not only to his victims, but also throughout Springwood, Ohio. Through eerie scenes such as a desert carnival, disturbing teacher's elementary school teacher, or a woman talking to phantom children in the adoption center, the film catches a community haunted by sadness, denial and psychological collapse. It is a fantastic way to put an end to the series at the center of BoogeyMan's personification of communal trauma and lay the foundations for the empathetic films for the horror we appreciate today.