"Good Boy" is haunted home film told from a dog's point of viewAnd Indi, the cute puppy in the heart of the story, stole the show. Most viewers will spend the whole "good boy" worried about dying of the dogAnd some scenes are so disturbing about our cute fur friend, who's dog lovers will not think much about human characters. That, he said, if you can overcome these worries and worries, you will probably appreciate Cameo from the sincere horror legend in the chiller of Ben Leonberg and Alex Canon.

Camoo has no one but Larry Fesen, who plays the late grandfather of the protagonist, Todd (Jane Jensen) and his sister, Vera (Ariel Friedman) in "Good Boy". After welcoming some family home videos early in the film, his frightening moments came halfway, with Indy finding the look of Gramps coughing blood at the top of the house. It is a daunting scene, and Fesen is not in the mood to joke with his performance.

Of course, seasonal horror fans were expecting to expect disturbing performances from Fesen. He presented nasty, malicious and troubled characters in many movie tariffs, becoming a honor for genres of genres such as West ("Maxxin") and Jimim Michael ("Stake Land"). Martin Scorsese (you may have heard of him) also attracted Fessen for "performing the dead" and "killers of the flower moon", so know that his work is not exclusive to the horror genre. Moreover, Fesen is a recognized writer and director of his right - the one whose job is admired by some of your favorite directors.

Larry Fesen's directorial works are not known, but some important directors rank among Best horror movies ever made. His cult classic film "Habit" of 1997 - a vampire story that serves as a metaphor for addiction - is a favorite of the director "Ennenifer's Body", Karin Kusama, who praised her for his ability to juggle so many ideas flawlessly. To some extent, you can see the impact of the "habit" on the "body of Ennenifer", as Kusama's horror comedy uses monsters as an allegory to overcome abuse.

Guillermo del Toro is also a fan of Fesen, describing him as the master of his craft. Like Kusama, Del Toro is a fan of the "habit" and his appreciation for that film - and the work of Fessen as a whole - led to Frankenstein director eavesdropping on the Indie Aurter to direct a remake of the Orchoroma. The project never came true, but Del Toro, given the Fessenen project of that size, shows that he is keeping the director in great respect.

From "habit" to "Vendigo" to "eclipse", the Fessen's director is full of precious stones waiting to be discovered by the masses. His arrival in "Good Boy" shows how frightening he may be like the presence of the screen, but he is just as capable of scare the viewers behind the camera.