This article contains spoilers for "Anemon".

There is no doubt that the "anemone" would not exist without the contributions of Daniel Day-Luis. Not only is the film co-written and directed by his son Ronan, but Daniel also co-wrote, executive production and stars in the picture. "Anemone" is enough of the ensemble that can be said that Day-Louis is not the lead of the film, but his Ray Stoker character certainly plays a key role. Both Daniel and Ronan Day-Luis seem sharply aware of the importance of the former to be included, as an actor glorious He retired after making a "phantom thread" in 2017. Inherently, knowing that the audience will appear to see him acting, Daniel and Ronan are constructing anemon about a few long monologues, most of whom performed by Daniel. It is enough to make the film almost look like a Chinese equivalent of a human show.

However, "Anemem" is not highlighted not "Daniel Dan-Louis's show", and this is shown in ways that may be subtle for general audiences, but they are absolutely crucial. For example, other actors like Samantha Morton and Samuel Boilers play characters who make the film much more omitted experience, and images that Ronan Day-Luis and cinematographer Ben Fordesman carry on the film is essential for decoding their themes and emotional bow. However, the most important number one after Daniel is John Bean. Again, this may sound strange to someone who is doing surface analysis of the film, as the character of bin, Emem Stoker, barely talks in most of the scenes in which it appears. However, Bean's work is a spent example of the saying that acting is really a reaction. A merely actor will bring only more than the part that exists on the site, but Great actor will turn what may seem like a small part in gold. Bean is a great actor and he is the secret weapon of Anemem.

It is certainly true that a film or stage play that has only one actor can work, and it's all about the material and context, as well as the actor's ability. However, the "anemone" was not conceived as a one -character story, which means that other characters are just as important as Ray. Of course, the performance of his few monologues may have been just as good if he talked directly to the audience, but the presence of Emem gives John Bean more weight and intention than if they were more general. In other words, Ray is unaware that he gives a monologue to the audience of film films; He tells these things to his alienated younger brother and it is an Emem reaction to them through the performance of bin that gives these monologues form, dimension and resonance.

Consider the most central, revealing and emotional monologue of Ray, where he recognizes the incident that made him be dishonestly omitted by the British army during trouble. His mercy killing what he considered to be deadly wounded by a young Irish boy after a bomb accidentally exited a memory that man clearly ran out of his life, literally and figuratively. His rationalization of his actions is obviously not enough for him, perhaps because of his strict religious upbringing and the conflicting feelings he has. All this is transmitted with the strongly cordial delivery of the day-louis, but the moment would not be so powerful if it did not take all this. He can only listen, but he is actively listening, and that makes a huge difference.

Each main character in "Anemem" is treated as an onion, as the layer after the layer is extinguished during the duration of the film, until we have a much deeper understanding of their internal turmoil. It can be said that Emem is the simplest character, a working class, a pious Catholic Brit, which is much more than a hard type of upper lip. However, bin does not play Emem in this way, and instead, his performance makes Emem look like a rock in the Stormy Stoker family.

For wit: After the violent incident involving Brian (boilers), Emem is who decided to look for Ray to persuade him to come to visit his son (if not the family) he left. As we find out more about the history of the Stokers, we discover that Emem has taken himself to marry Nesa (Morton), formerly Ray, and become Brian's stepfather, who is really the son of Ray. There is one element of Catholic wines in it, of course, that makes his motivations to be the dad that is intensified seems less noble and imposed. However, the way Jemem acts as a soundboard for bitter inhibits Ray allows the latter to realize that he has actually flagues himself all these years for his troubled past.

Bean plays Emem as part knowing his brother, some priest, making his journey to the deep forest where Ray escaped from a kind of missionary exit. Although Emem is never given a long monologue to explain his side of the story in detail as Ray, Nessa, and even Brian, Bin's performance is rich as the rest of the cast. The way beans should be more than he just heard, reconciles Emem with the rich tapestry of a surrealist and symbolic image. So, while EMEM can be the least well -drawn face on paper, Bin's performance makes it fascinating. He is an example of a movie that invites the audience to have a little patience and to look a little deeper to be rewarded.

"Anemem" is now in cinemas.