Benny Safdi's "breaking machine" Covers four years in the hectic life of former MMA Center Mark Kerr (Played brilliantly from Dwayne Nsonson). He earned this nickname for his style of struggle with a trademark and pound. When Kerr made you on his back, he had a great chance to turn his face into a hamburger if you didn't use it. In his prime minister, he was a bit like Mike Tyson; Your primary goal was simply to survived The fight.

Safdi could easily take a biopic approach to Kerr's life, documenting his wound triumphs (winning the Ohio State Wrestling Championship while attending Toledo Wait, and mostly dealing with Randy Cutyur for the men's Division 1, and digging a deeper in the wine -sighting of his is reinforced in the division of his division 1), and digging deeper into the unstable relationship between the athlete and his alcoholic wife Zora Stiles (Emily for his enhanced focus), he is reinforced in the division of his division 1), and digging deeper into his unstable. Kerr's passion for sports and the immediacy of the task available. In the late 20s and early 30s, Kerr was in his fighting prime minister. He wanted to be the best MMA fighter in the world.

Safdi used Kerr as an advisor and opened up to his film's subject to gain his full confidence. Safdi was determined to make justice in this vital part of Kerr's life. Does this mean that everything you see in the film happened exactly as shown? Not true. Interestingly, they are not so dramatic licenses that harm the film, but what leaves it leaving it to feel dramatically inert.

Portrolling Dwayne Nsonson on Kerr has hit all the real notes - to the point that the viewer knows his personality from interviews and a very good documentary about HBO "Machine for breaking: the life and time of the extreme fighter Mark Kerr". He was really a friendly, soft -spoken, shocking iTeubesis friend, who was considered an ambassador for controversial sport. Unfortunately, this is one area where Safdi's film appears short. Although I am sure that Kerr's amiathm was not an offensive for PR charm, he loved this hybrid form of struggle; If they put him in front of the Congress Committee chaired by Johnon McCain (who won the sport and He called it a "human cock"), I have every self-confidence that it could deliver a sincere, Fred Rogers-ESC defense of the MMA (which, along with providing vital funding of PBS during the day, also also Helped to start George A.'s career Romero).

In any case, Kerr's most important fights were held in Japan for a reason, and the tragedy of his career is that he could not hang long enough to be competitive in the ring (or octagon) when UC became bigger than boxing. Then again, it's a different movie than Safi obviously wanted to do. He wanted a melancholic character study of a man who could not stay out of his way long enough to reach the height of the then disrespectful sport.

As for the details of real life, there were several changes, all of which made Safdi lend the film a little more person and/or emotional influence.

In a video chat with the USA todayKerr makes it clear that Safdi is determined to capture the spirit of Kerr's life between 1997 and 2000. He was also committed to showing the audience how vulnerable this pulverier of human flesh could be out of the ring, which, according to Safdi, occasionally sought "putting people in rooms they were not, doing things and trying to collect things for what happened".

That fun scene where Kerr refuses to join Staples on a carnival rotor (like the one from Antoine's boards in "400 strokes"), which then cuts a shot from him, who has a time of his life in the old -fashioned Ringel, refers to "something similar". Kerr freely admits that the cheerful round is his speed. And what about that delicate stomach Kerr complains about that scene? Kerr told Safdi that he was not in the habit of using the word "stomach", but he was fine with this little change - which is good because a man's muscle complains over the "stomach" is undeniable funny.

An interesting departure from real life involves breaking the expensive Japanese vase that Kerr bought for the main parts. While flogging in rage (because Kerr is emotionally retained and drinks her sadness), it destroys the valuable object to explicitly hurt him. In reality, it was a silky Japanese clothing that went down, but Safi was correct in thinking that blunt Walking all ester roll The vase was more visually disturbing gesture. Later in the film, one inserted fillers finds Glock on Kerr (who did not have security) and showed it on his head. This happened, and, as shown in the film, Kerr believes that this catastrophic unsuccessful unification with Staples, which spoiled his training before his key struggle with Kazuki Fujita in the Grand Proteal final in 2000, played a psychological role in his destructive role.

As for Kerr's opioid dependence, he was apparently sober after adjacent to overdose in 1999, but slipped. According to Kerr, he has been sober for seven years. And, yes, that's the right kerr you see cheerful groceries at the end of the movie.

The "smashing machine" is now in cinemas.