My partner is one of those people who finds a show she loves and only explosions through episodes back to the back, season after season, watching a little more until it's finished. It drives me to the wall at times because I'm more than a movie boy. Lookie I look at the 10 -hour episodes season where we still do not know the outcome (and may never give up the show) and we will see it as a missed opportunity to watch five movies where I will actually figure out what is happening in the end. But it even took my partner for a very long time to break all 12 seasons of "Big Bang theory", What meant that there was endless stretching when the play was when we were home together.

The episodes started running together after a while, but I definitely don't hate it as many people look there. I guess we fell around season 2 or 3, and I got a pleasant feeling from the format of old schools with the laughter trail and the familiar placement of flatmates and neighbors living through the gym. It struck me as a show that was dealing with her own supply the longer he ran and how much more successfully he got, just like many other wildly popular shows tend to after a while. As a result, I found the characters more powerless, especially Sheldon; I also got the feeling that Jimim Parsons became aware of his Ardwarr and milked hell from his tick. So, I adjusted and did something else whenever my partner fueled through later seasons.

Skip a decade or so, and I thought I would escape the "Big Bang theory", only for my children (now 8 and 10) Spin-off "Young Sheldon" to Netflix. At first glance, I found it powerless, but I was slightly intrigued by how much different it looks like from the original show, it appears more like a comedy-drama coming in age than a classic multi-camera Sitkom recorded in front of a live audience. Somewhere, during one of the unnoticed episodes of the Prequel show, it seemed to me that I didn't know how any series started. So I went back to the cockpit episode of "Big Bang theory" to see how to play today. Here are my sincere thoughts.

The Big Bang Theory Pilot feels dated from getting. The Writers' Open Gambit introduces us to Sheldon Cooper (Jimim Parsons) and Leonard Hoffstadter (NYONI GALGI) because they are nervously visiting the bank of sperm for donor IQ. I thought sperm panties came out in the 1990s; I remember Bevis and Buthed who did the whole of that little as well as Frank Drebin enjoying himself too much filling cups in "Naked Pistol 33 ¹/ /₃: Final insult. "Sheldon wonders how he will follow him with his contribution, while Leonard gives up that he will do good because he is" semi -propelled. "Shock Horror! Instead of the comic stroke in the sex work that Sheldon shows later in the series, learning from the bat that masturbates regularly. The following scenes.

The boys make a racer from the clinic and exceed the 90s vibration continues when they return to their apartment building, which I always (improper) assumed that a set of "friends" was a reworked set. Sheldon and Leonard learn that they have a new neighbor, a young blonde woman who unpacks her stuff as they fly from the hallway. The opinion of "friends" made me understand how similar the two shows are, with Penny (Caley Cuoco) functioning as a character of Rachel and Leonard as the equivalent of Ross. Leonard's reaction reveals that he is immediately defeated and much of the comic of inconvenience in the rest of the episode comes from these two horny gay gay fueled by a real live girl.

We get our first glance towards the boys an unusually large and plush apartment before Leonard invites Penny for lunch, resulting in a comic, while Sheldon struggles to handle when she takes her place on the couch. Then, the writing becomes old -fashioned again, opposing the need for Penny to use Geki's friends shower before we meet Howard (Simon Elberg) and Paradise (Kunal Nayar) for the first time. The episode closes while Penny asks Sheldon and Leonard to return their TV set from her middle-piece from Shock, but instead, they return without pants. It is clear that it should be a funny crescent, but it is a little too rush and underestimated to pay off fully. And that's about it, the Ho-Hum pilot almost remarkable in his commitment to the Hakinetti sitcoms.

The pilot episode of "Big Bang theory" is fun, but nowhere close to so funny as the audience in the studio seems to be thinking; In the picture I was pictured with electric cattle as they look at the paths to make sure that everyone was laughing with a suit. Of course, it is a bit of suggesting why the show will become so absurdly popular, but then again, many series take several episodes to really store in the groove. However, it does a pretty effective job of introducing five main characters in just 22 minutes: Sheldon has a trouble gathering social signs and hanging on to minor details, Leonard is marginally more street smart, but it can't help follow Sheldon down for the rabbit, however, and he is a husband. They are Nerer's cliché collection, but those played by convincing the actors. Foam prices worse as The pilot does not make it properly by Kaili Cuoko. The curses of "Big Bang Theory" will eventually develop her character more, but she is angry with a formal role as a dizziness blonde here.

The Big Bang's theory generally gets a bad rap for its negative stereotypes. Indeed, I have always found a strange shutdown between the way we are intended to invest in quilts and struggles of male characters with social anxiety, while at the same time invited to laugh at their anxious habits and hobbies. The pilot engages in this, with references to Battlestar Galactica, Star Trek and "Starwells War" played as punk lines, and there is also a virus of anti-intellectualism, as we are expected to find Sheldon and his friends funny because they are so smart.

That may be why the show has such anachronistic feeling. The Big Bang's theory was first aired in 2007, when Gake culture began to dominate the mainstream, rather than being something that the two hopeless two obsessed in their mother's basement. It is amazing to think that more batches of the pulse like "is always sunny in Philadelphia" and "Arrested Development" has begun earlier and still feels cooler today. I got out of the cockpit in the same position as I was before: I had fun and I didn't hate it at all, but I still couldn't understand why it was the largest sitcom in the world less than a decade ago.