Of the 12 films under Zac Snyder's director's belt, half of them come from worldwide comics that millions adore. Some of them were book efforts, while others are a consequence of the director taking beloved superheroes and villains and giving them their own specific spin (probably while in slow movement). The outcome led to some of the various contributions in the genre, and even played a role in a franchise that was completely restarted as a result.

Like them or not, however, Snyder delivered some bold interpretations of well -known costumes (and in some cases barely dressed) characters. It allowed him to bring some of the most respected moments in the media to life in a way that he could only. We are thinking about these efforts with a large screen that we ranked every movie with comics, Zack Snyder, tried, failed or managed to surprise fashion perfect.

Putin refugees, undiscovered detectives and heroes of do-or die with nothing but their swords, shields and their abs to keep the enemy of the bay, all performed in Snyder's comic book films. Now, after putting everyone in a neat small line, here's each of Zack Snyder's comic book films, starting with the one in which he had the least involvement, no matter what the final loans could say.

Well, well, let's get it out of the way. "Justice League" can't be just one of Zac Snyder's worst films in his film, but it's easy One of the worst movies with comics Sometimes dare to grace the screen. This is not a fault for Snyder, of course. His name may be on tin (though not, where it is highlighted as the updated version that is elsewhere on this list), but most of the offenses in this film should be divided between Warner Bros.. Unfortunately, that change of hands simply deteriorates things.

The result is a project that is separated together by two very different directors aimed at very different tones, and it is as clear as the absent hair mustache from Henry Caville's face. Despite being a team film that feels four films too early, the big, yet undeniable blurred vision of Snyder's DCU is lost and fast together, leading to CGI's CGI where the team feels nothing but cohesive. At this point, in the convicted time of DCE, the "Justice League" has shown in a two-hour duration how bad it is for the next six years, and a long demand for fans to see a darker, longer and more vision of Snyder-y four years later.

Petting Superman against the "captain's crusade" for the first time in live-action was an independent task. However, bold to withdraw from the pages of both "Dark Knight Returns" and essentially "Superman's death", just one movie after Superman's debut, seems to be flat wild. Also, that is why the "dawn of justice" feels so blurred in storytelling, spending even more time to show Super as a gloomy god among people, while Ben Affleck gives him one of the best butmanwhich is of his most brutally unforgivable and incredibly paranoid.

However, there are the most important moments that cannot be ignored. The invasion of a Batflick Warehouse, which seems to seem to suffer from life -changing injuries, is a great Batman -based sequence, as well as the arrival of the miracles of the Gal Gadd woman and the thematic tune that can be lowered as one of the biggest. Unfortunately, it is all overshadowed by the characters of Essie Eisenberg's megalomaniac, Lex Lutor (what he himself considered "career performance")Turning the two heroes against each other, it only takes a name to realize that they are on the same side. Throw in a hurry at the last minute to round up the justice league, and one of them comes to Bruce in a time -off dream that the uninformed will be dirt, and the "dawn of justice" feels like a bitter boom of what will come.

The second round of the justice league is more than everything that is a testimony to the power of accident. A The hashtag eventually brought Snyder's true vision for the "Justice League" Film to life, arriving four years after the unmatched fire from Damster to Windom.

At this point, if you haven't invested in snyderverse, then sitting through four more hours will not swing. This was an achievement for the dead, ordinary and simple, with the director giving us his unfiltered vision of comics at mythical level. The story (extracted as it was) feels far more cohesive and along with the theater version we initially received, as well as some of the characters that are a little more omitted. Steppenwolf is upgraded from the boring CGI Lackey to the evil of Darkseid excessively indicated by a mission, called in action after the Superman's mortal crying film that starts the film and sees him returning to a fancy black suit, because this time he really means business.

And yet, for any narrative change that benefits from the story, the excessive use of the slow -moving director (which participates with 10% of the film) He adds greatness to granular moments, but also slows it. In addition, the suspicious views in the post-apocalyptic world, where Batman wore a pickup and the flash resembled the transformer, were great, but that was a look at the last chapter that was not to be teased. The four -hour meal we were sitting with so much. Justice was served, but it shouldn't have been such a great dish.

It may not be so high now, as the soul is pushing to the "Superman" we had recently, but Zack Snyder is taking the birth and super-bud of Cal-El is still sitting as one of his best comics films, simply because he is easily accessible. There is a level of restraint until Superman's takeover of Snyder that disappeared deeper that the director entered DCE. However, here, "a steel man" goes through the movements of the classic Superman retelling, giving him a realistic advantage that works in some areas, but not in others. Starting things with the trip to Crypton in the last days, Snyder pulls out the big guns through Russell Crowe's Orord, from head to head with Missing Michael Shannon's scenery, an undisclosed military leader, General Zod. It is even before Henry Caville entered to show his value as the last son of Krypton, making the fact that he never got another solo super stint absolutely criminal.

Clark's journey from someone else's boy to man has many moments to lift hair, even with occasional bumps on the road. She complains about the Athonian Kent (Kevin Costner) that made his son suspect whether he should save others or even himself, but it's a moment that can be easily overlooked at the scene of Clark's last fight with Zod (the level of destruction to be damn) or his first flight, supported by his first flight, which is backed by the result when he is backed by his first flight when he has made his first. Dares to make his way when he dared to make his way when he dared to make his way when he dared to dare when the outcome of Johnon Williams dared to dare there.

Even with all their mistakes and heinous times, there are times in both films "Rebel Moon" reminiscent of a time when Zack Snyder was heading towards his peak. Watch those shots of slow movement through the shoulder fields and heroes and turned their swords into slow movement, and it's hard not to remember 300 spartans cut from marble, cut through the Persians the same way. Snyder's "300" feels, despite being one of the closest adaptations on a page to the screen history, covers everything the director would include in his repertoire since then. It will also be housed an impressive collection of stars that will continue to make massive careers on their own, and everything you had to wear a red cloak and wear six packs you can cook.

The Gererrard Butler's career may have been packed with this role, but several of his other gigs packed such a blow as his style like the brave King Leonidas, who made God bleed, became a legendary hero on the hitting the people through the pits and shouted where he lived. Add the supporting talent to Starsvoles like Michael Fassbender, Dominic West as a traitor for Theron's sneezing, and Lena Heidi shows us how she would be "Game of Thrones" Cerseys, if she was just a little nicer, and this burning epo is still holding. Tonight, dinner in hell or shadow struggle, and remember how great handling Snyder with a narrowed epic movie can be.

On the list of superhero slides in the film based on the comic book books by Zack Snyder, the omission of huge squid does not feel so frivolous when you think the director has achieved what many thought it was impossible to do. This is probably because Zack Snyder's adaptation to the "unreliable" keeper of thinking about thinking is much more about it than any other movie on this list, earning its right to talk to one of the biggest comic book films ever. How excessive is as it can be in its story and attention to the details, Snyder does a flawless job to extract Panels of Alan Moore and a series of limited comics of Dave Gibbons and throws them on the screen.

Between the last drink with the Comedian (EFFRI Dean Morgan) to the Jackake Earl Haley magazine, landing at the News Bureau, this constantly visually accused mystery of murder involving gods and monstrous men packing a brutally accused mold. Nothing that Snyder did because he could not compete with the incredible introduction of the melody of "the time they are A-Changin", "the birth of Dr. Manhattan (Billy Crudis), or Rorschin, giving him an oil-fulfilling face. Chest, an opera hit that tried to fight her to replicate with the following films.