Clint Eastwood is known for making films that enter the budget and ahead of anticipated. As a director, he wants to move out of a shot after a download (recording for extra efficiency prominent as Kevin Costner. Sometimes, Eastwood's "Get-Done" approach: I wish he spent more time with his amateur actors in Gran Turin and would like to use it Non -plastic baby For a key scene in the "American Sniper".

However, when it comes to storytelling, Eastwood is one of all time-and he has worked this way since the beginning of his directing career. Nearly 50 years agoAsked by interviewers Richard Tompon and Tim Hunter for his narrative sensibility, Eastwood, who will continue to win two best Oscars (for "disadvantaged" and "million dollar"), said: "I don't like the exhibit scenes unless they have an important payment." He is in good company. Great of all time like Johnon Ford, Frank Borzaz and Walter Hill celebrated the exhibition-t. A dump for information that carries movies to stop stopping in order to establish backstew and set stakes. Made properly, the films are a suggestion-shaw-tal-til, and Eastwood has worked in this way during most of his career.

And the man who provided the media with two of his most iconic characters (man without the name of Sergio Leone's "Dollar" The debt process is looking at the dirty harry) Works this way because he believes that the audience should be active viewers.

Eastwood preached my kind of gospel in that interview with Thompson-Hunter when he said, "I think they must participate in every footage, in everything. I give them what I think is necessary to know, to advance through the story, but I do not put so much to their intelligence.

Interestingly, this can clash with the preferences of today's Moviegoers, who prefer a scare of viewing experience, where, as they move, and the like, they are constantly reminded of where the story is and which characters are trying to achieve. Art in all its forms should be a connection, where the elegance of words, paintings and brush strokes attract the reader/viewer inside. And, according to Eastwood's view, this approach is to respect the audience. As he told Thompson and Hunter:

"I hate to have the stage where you will rest, sit down and tell the audience what has been done to that point because they are not smart enough to understand it. It plays the audience. As a rule, I am always ashamed of the exhibition."

These scenes are where I check from a movie, a medium in which you can convey a wealth of emotions to one, well -composed shot. Even when I'm not crazy about the movie "Eastwood", I want it to fill the frame with tinted information. This is not to deny the editorial recording access; The best to use this approach (Like Tony ScottAdrian Lynn and Michael Bay) know what they are looking for in the set. They just want to find a movie in the editing room.

However, in the heart, I like the director who despises coverage, which is why Eastwood has always been one of my guys.