Clint Eastwood called Clint Eastwood's “Oscar Film”, Steven Spielberg “Left”

Clint Eastwood and Steven Spielberg have won two best Oscars. They are peers and, according to all accounts, friends. But they could not be different as directors.

Eastwood was born in 1930. He was cruel, rebellious and athletic. While preparing to be sent to the Korean War in the 1950s, he reportedly survived a plane crash of the Douglas bomber, which crashed in the Pacific Ocean in Marin County, only north of the hometown of San Francisco; He was swimming on two miles back to the shore and was subsequently empty. He later found moderate fame as cowboy Roddy Yates in the FBS television series "Rawhide" before flying to Spain and joining Italian director Sergio Leone to make Spaghetti Western "dollars". In 1971, he became a double threat of Directed and starred in the moody thriller "Play Fogs for Me", While also established himself as an action hero that reveals the process of Don Siegel's "dirty Harry".

Spielberg was born in 1946 and was a film fornication at the age of 13. He was short, awkward and devoted himself to an art form that, for the most part, only the French proponents of Novel vaguely considered an author's medium. They called them "pictures" when teenager Spielberg fulfilled his craft as a camera autodidect. By the time he made his first truly noticeable feature, a "duel" (which was filmed for NBC Television, but so dubious that Universal published it in cinemas), he was clearly intended for great things in the film industry. The Universal WP Sid Jainberg believes in Spielberg and gets stuck with him through the difficult production of the "jaws". He will continue to become probably the biggest director of his generation.

Where Spielberg was a maestro of sentimental escapism during the first decade of his career, Eastwood generally knocked out Rhodie crowd-satisfactions. Their paths finally crossed in 1995 with "Bridges of Madison County" produced by Amblin " (One of Eastwood's best films), and they again hung in the 21st century when Spielberg handed the directors to "Flags of Our Father", "Letters from Ivo IMaima" and "American Sniper" over Eastwood. The older director would joke that he took Spielberg's "remains", but I think he realized that Spielberg knew his friend's spare sensibility was better suited to these projects - especially the American sniper.

Spielberg properly watched the American sniper as Clint Eastwood's film

In an interview for 2015 with Hollywood reporterEastwood admitted that Spielberg was supposed to direct Bradley Cooper to an American sniper until the one -time Wunderkind feels too saturated with the material. Interestingly, Eastwood did not jump into the opportunity. As Trer said:

"Bradley Cooper and I read about it, and I didn't think too much about it. And I ... I was reading the book, and then, at once, the studio calls me and said," Would you direct "the American sniper?" And I said, "Someone else, Steven does it," and I go, "What are you talking about?" And they said, "No, no, it turned out, but we all want to come there. ' And so, I said, 'Well, let me finish the next 30 pages of this book here, and then I'll call you.' "

Eastwood provided several notes and eventually felt that the project was in good shape to take it. But he also feels forced to call Spielberg. "I told him, I said," I take your remains again, "Eastwood added.

These were remnants of a pretty choice. The film received six nominations for the Academy Award, including one for the best picture. Alan Robert Murray and Bob Asman have won an Oscar for best sound editing. He also earned $ 548 million on the global treasurer against the $ 59m budget, which is high for Eastwood. (False baby, unfortunately, was kicked out.) Should Spielberg buy projects in Eastwood in front of "Bridges of Madison County?" God yes. I would give something to see without the nonsense that Author has taken such good, visual effects, heavy amublin hits like "Gonies", "Harry and Hendersons" and "batteries are not included". More than everything, I would like to see Eastwood's "hook", where the father is blue-jaque, which is not absent, he just works and returns to Nirland is treated as regression. I would also like to see "Spielberg's conclusion" "Outlaw Josey Wales", just because we have to draw an honest to God west of man before giving up well.



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