Marlon Brandon rejects one of Burth Reynolds' best films for good reason


As the new Hollywood movement took place in the late 1960s and early 1970s, we would think that an inverted ship-rocker like Marlon Brando would be barely a hammer to pamper the waters along with new generations of directors who grew to worship him. Unfortunately, aside from his exciting performance in "Burn!", "Burn!", "Burn! Michael Winter's "The NightComers".

Given the increasingly unpredictable, if not completely hostile to Brando, the behavior, the studies were not interested in directors - especially the young - they followed him for risky projects. Francis Ford Coppola discovered this when he suggested (citing Mario Puco) that Brando, despite his still relative youth, could play Mafia Patriarch Don Vito Corleone in his expensive "godfather" adaptation.

While Paramount and Coppola were arguing, a young Johnon Baorman, who impressed Hollywood with his neo-nail classic "Point Empty", approached Brando for the part of "Brash outdoor", Luis Medlock, in his adaptation to the novel. The story of four city men who ran down the rides while kayaking on a rough river in Georgiadorjanjanja drew serious attention from the great acting talent. Jackack Nicholson, Charlton Heston, Warren Beatty, Donald Sutherland and Lee Marvin were led. So Baorman took a big swing and tried to throw Brando.

During the performance of 2013 TCM Classic Film FestivalBaorman addressed many casting rumors that were still turning around his top film (who earned him nominations for the Academy Academy of Best Picture and Best Director). The filmmaker denied that he had once offered roles to Henry Honda or Jameses Stewart, but he confirmed that Brando was offered a part of Reynolds. And that offer was quickly rejected when, according to Borman, Brando asked: "I wouldn't have to get into one of those canoa, would I?"

Brando's commitment to physical fitness at the moment of his career began to shake, so it's not surprising that he was cool for the idea of ​​solid production as "deliverance". But it all worked best. Reynolds was the perfect casting for too much Lewis, and an ideal foil for Jonon Wout's stretched survivor Ed Genttri. Alternative timelines are fun for speculative purposes, but in this case, I think we got the right result.



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