This article contains spoilers For "Downton Opatija: The Grand Final".

After six series, five Christmas specialists and two feature films, "Downton Opatija: The Grand Final" finally brought the widespread ITV melodrama, and what kind of trip it is. I first discovered the show when she was already a few series deep in her masterpiece -the PBS in the United States. It was too easy to attract his soaps opera parcels and a ranked British talent ensemble whose charm often went a long way. You can get into the movies without seeing the series and, while you can miss some context clues, all are so skilled in embodiment your roles that you can easily follow. "Downton Opatija" took me to some exciting places in my career after I succeeded Interview the beautiful team and crew while in the English village.

The sun has sung at the Heilker Castle many times now, but the title of this third film gives an indication that the creator of the series Jululian Felies is ready to release Craples. According to all accounts, the "grand finale" is the end that will leave the most loyal supporters of Downton Opatija who feel satisfied with that they can only spend a few hours with the characters they have used to love over the past decade. However, it hurts me to say that it is also the weakest film in the franchise and a pretty prompted conclusion that left me frustrated in how it is not based on the promise of progress in any important ways.

Threequel is not that great compared to the glittering film about Michael Engler's 2019 events, nor Sequel to Simon Curtis's summer-set. His brightest visual is transmitted for the sequence of the film title within the hustle and bustle of nightlife in central London. The "Grand Final" was filmed with less vigor than the episode of the show, despite Curtis returning to the director's chair. But the biggest problem with Crowley's curtains lies in his superficial approach to change. The seemingly final feature of "Downton Opatija" that continues to accept its faux nostalgic shine is even more disappointing when you think there are hints of much bolder movie there somewhere.

The last scene of "Downton Abbey: The Motion Picture" sees Mr -Din Carson (Jimim Carter) dealing with how they have crawls -and will continue to lead the property, only for Ms Hughes (Filis Logan) to follow ". It indicates that, however above, to see the up and down crew in their family element, the change will not mind Downton's traditions. The aristocratic slaves and their property of the centuries -old Manor cannot cease to rise in history. So how will they answer?

While the television show is without a doubt a romantized fantasy of a past era, it was not allergic to explore the horrors of war, women's rights and criminalized soup. Restricting colleagues to make his characters reflect the people's side of the British hierarchical structures in his scenario for the Academy of Gosford Park prevented the crowns from becoming too necessary. That's how he always wrote them. But this decision prevents the potential of the "grand finale" from developing outside the limited perspective of the show.

The two main sources of tension in this film come from crushing crushes whether to sell Downton to pay off their debts, and Lady Mary becomes a source of controversy over divorce from her second husband Henry Talbot (significantly absent Matthew Good). Everyone is widespread with the opportunity to put this family, which is often confident in the comfort of luxury, to carry the burden of a world that does not need in the present state. "Downton Opatija" tends to stop any radical acceptance of new norms, but still feels frivolous here.

Crowley's money problems are put on a person in the form of a US financial adviser Gus Sambrook (Alessandro Level). It was a nice surprise when we saw him, and an even bigger surprise when he saw him helping Lady Mary to loosen. The consequences of some beverages and frinses, reveal a snake, which is more than ready to tarnish the reputation of the last Mary that is much more to get what she wants. Gus does not have to be a very villain, because his identity, motifs and a fairly easy disease from Lady Edith (Laura Carmihael) occur in the five -minute scene space that still leaves more than half an hour left in the film.

The driving force of "Downton Opatija" appears in the first episode of the show when Crauli learns about the tragedy. News are traveling quickly that family suitor Lady Mary (Michelle dockers) was supposed to marry to drown a Titanic. It is a sudden and unexpected turnaround of the events that throws family safety into the disorder. The incident of encouraging echoes the idea that continues to appear during the series of changes that are all but inevitable. "Are we right to maintain it all when the world for which it is built is to extinguish every day that passes," shaken lady Mary asks the Grandnam Countess (the late Dam Maggie Smith) at the end of the "Movement". There is even an interesting moment in the "grand finale" when Tom Branson (Allen Lech) tells Earl of Granb (Hugh Bonneville) that "the system does not work if people hold too long." These words are progressing, but in the Downton Opatija fashion, they cannot make the aristocrats lose too much of what they have, nor do they question the sustainability of their relationships with staff.

"Downton Abbey" is just as true of the right class dynamics, as well as the "Conjuring" series about what actually happened to Varens. It's all a fantasy. But reinforcing the leaked places of Crowley's privileged dam, which calls into question the superfluous of this being a closing chapter. Don't even feel like much of the final, as much as another Open end. Also, I can't help, but to think about one of the many endings where a visit to Thomas Barrow (Robert Jameseims-Colier) is invited upstairs for a non-service crushes, much of everyone's shock. Wants to come across a big gesture for The scheme knife has turned into an assistant for a playwrightBut if nothing else, it knocks it back. In the world of "Downton Opatija", invited to mix among rich people without talking to them is the highest honor that Thomas can get. Treating him as equal, it still brings stigmatization that feels strange in the wake of Maria's public widespread.

The news of Lady Maria's divorce early, leading to hidden under the stairs out of sight with her parents. It is a loaded image of "Downton Opatija" that invites introspection by Lady Maria, who never pushes her to sit down with the unpleasant truths of the system facing it. We only hear about the public reaction of Lady Maria's status as a social party, instead of seeing her as a witness to herself, a ban on a stubborn commission chairman and an impersonal stamp. The lesson of standing for good people, even when it is stigmatizing and unpopular, is important in a split world and one of the only resolutions in the film actually paid.

"Downton Opatija" has always thrown a soft and easy responses to their problems, which mostly work in the context of immediate changes. This is their last walking, I guess, so to see them going on the easy track, the whole company feels superfluous and makes a pretty boring movie. It should not be surprising that the stories of the staff in the bottom make up some of the best moments of the film, as there are real stakes with their lives. The "Grand Final" is just as predictable as you can get for such a series, and that's a shame.

"Downton Opatija: The Grand Final" is now playing in cinemas across the country.