Making a movie is an intense experience. The average film shooting takes about three months, and during that time, all included are struggling in order to ensure that everything and all are where they should be to get the impact, with all other considerations secondary. In the work environment where every suit, prop. However, secure enough, very few props, scripts and other knives are kept as memories. Occasionally, some larger props or elements of great importance have been saved. Most everything else is rightly assumed that it is eventually destroyed or lost.

However, everyone so often, searching for parts of Chinese ephemera that even the directors assumed they were not forever. This is what happened to Steven Spielberg when watching the new exhibition "Jaws: Exhibition" at the Museum of the Academy in Los Angeles. At his own reception, Spielberg was shocked to discover that someone had retained the ocean bouiller from the film's initial scene and that he had survived 50 years later to be used as part of the exhibition. As it turned out, the Savior of the props was Lin Murphy, and Resident of Martha's vineyard, which helped the "jaws" crew with part of their shooting of the water back in 1974.

While "Jaws: Exhibition" contains numerous parts of props, notes, stories, camera equipment and memory of "Jaws", this navigable is particularly symbolic of how the film beats the chances of its glorious frightening filming and has become one of the greatest and most influential films.

According to the story that accompanies the museum, Murphy "provided nautical equipment and expertise" The "Jaws" crew helped to work with water vehicles, which included traction of the infamous nonsense mechanical shark. Obviously, Murphy has decided to keep the sailing that convicted Chris Watkins (Susan Boklini) briefly holds him during her shark attack. Murphy took care of the sailor in his home until 1988, when collector Eric Nutrander revealed that he was still around and tried to gain himself. Obviously, sailing has remained in the Netherland collection so far.

Spielberg himself was thrilled to have been preserved for all these years. As he explained at a press event for the exhibition attended by this writer, he was amazing that someone - someone - remembered the sailor:

"From the archives of collectors around the world who somehow knew something I didn't know ... When we shot the starting scene of Chris Watkins to be taken from the shark and we had a lush hovering in the water, where someone knew how to pick up and take it home and then sit on it for 50 years?"

Spielberg certainly has a point. He continued to describe how the "jaws" are a film that he and the universal study were truly worried at one stage will never end, let alone successfully. While Peter Bankley's original novel was the best -selling at the moment when the film went to the cameras, it was not a sensation at the level of "Dusk" or "Harry Potter", where a furious fanbase later planned to keep and/or resell memory. Of course, the "jaws" continued to make the history of the film, breaking all sorts of records and Unintentional creation of a blockbuster summer film in the process. However, it happened a few months after the filming was completed, so it was really conscientious to keep someone from the set.

The answer to Spielberg's question can be much simpler and healthier than foretelling the success of the "jaws", however. Lin Murphy was not just born in the vineyard; He was also one of the men who inspired the portrayal of Quint's Robert Show. Most of the loan for the indelible characterization of Captain's obsessed captain tends to go to another native vineyard, Craig Kingsbury (who played Convicted Ben Gardner in the last film). However, according to Matt Taylor, author of the book "Jaws: Memories of Martha" (through Newspaper of vineyards) Murphy's voice was that Spielberg heard one day in the room and immediately decided that Quint's capture should fit. Thus, Spielberg ordered the show to sound just like Murphy, and the man who was already working as part of the film's crew was found on a camera as well as outside.

So while neither Spielberg nor Murphy nor anyone else could predict that We will still talk in respect tones for the "jaws" 50 years laterIt is likely that he has kept that boom out of pride involved in the creative process of filming. That sense of contribution and belonging, being part of collaboration, is a great reason for the magic of films. That magic, on the other hand, inserts items such as suits, props and other varied things with resonance that is greater than themselves. Pui is just a boo, but as anyone who sees "jaws: the exhibition" will tell you, this navigable is special.