From providing a unresited role in the "revenge of the creature" to directing his 40th feature film at the age of 93Clint Eastwood has a long and career that has taken it to so many places in the industry. Scrolling through his filmography shows an artist whose talents have traveled through every genre that exists. Eastwood was hanging out with musicals ("pain wagon"), police officers ("Dirty Harry"), war films ("Where Dare Eagles"), romantic plays ("Madison County Bridges") and Comedies of travel trips with an orangutan friend ("every way, but loose")But several genres have much claims for the acting director than the West.

For eight seasons on television, Eastwood was a popular main network of the CBS Western "Rawhide" series as Ramod Rodie Yates. The role in his career not only has led to his most memorable role in the Sergio Leone man -based man without trilogy, but also Also set fire to his interest in directing. Eastwood's direct debut will end as the psychological thriller in 1971 "Play Misty for me", " in which there is a frightening performance by Essesica Walter. His sophisticated feature "High Plannes Drifter", however, will see Eastwood depicting the Oaters who made him through much darker lenses through an unforgettable horror West, which still stands as one of his best films.

The mysterious stranger is looking for Lago's frightened city city to protect his home, but he is certainly not an angel. In "High Plains Drifter", communal apathy hangs out with a demon in plain clothing whose presence makes them feel even empty and helpless. It is a phenomenal film that does not pull its strokes with some striking visual images, as Lago is completely red to symbolize the rules of the Helkeeping Eastwood foreigner. In addition, there are some other knots shown in the background if you pay attention to real attention.

In the performance of Eastwood in 2003 "Inside the Studio of the Actor", "" Host Jameseims Lipton grew on some tombstones that had shortened names by Don Siegel and Sergio Leone, from which the director had fun with:

"I had fun with those guys. I didn't want anything to them. I think some people tried to get the meaning I buried my past or something, people who were mentors and helped me. That wasn't the case. That was, just, you had to put a name there."

Whether it's Usurping Philip Kaufman from the rest of "Oseos Wells conclusion" Or the spirit directs "Tigrop" by Richard Taggl, Eastwood is a notorious sticker for doing things as he wants. The fact that he planted the names of the two excellent directors he had previously worked with in his image shows how honoring the experience. He never worked on another movie with Leone after the very influential package of "Fist Dollars", "For a few Dollars" and "Good, Bad and Ugly". However, when it comes to Siegel, Eastwood kept his professional and personal friendship through five films ("The Beguiled", "Bluff of Coogan's Bluff", "Dirty Harry", "Two Sister Sarah" and "Escape from Alcatraz"). The couple even shared the screen, with Siegel in a small role in "Play Fogs for Me" like Murphy, Dave's bartender.

The worst draws attention to themselves, while the best is found by viewers with eagle eyes. The grave monuments are among the best ways to throw a bone at someone who loves the director either worked or by not having to be distracted. Eastwood became a little clever with it because they were marked as S. Leone and Donald Siegel.

It is appropriate that the cemetery with them is preceded by the entrance to Lago, as the fictional western city is an appropriate metaphor for the death he wraps up as a disease. The funniest thing that Lipton calls for the tombstones is that they are barely in the film if at all. Your best look can also be found in the photo behind the set, besides another lobby card photo. However, it is a nice gesture that allowed the then floral director to pay tribute to men who gave some of the best films in his career.