For Dylan O'Brien, Double That means he was afraid of a longing to face an emotion.

"Mourning is enough, enough enough, something that I didn't feel a ton," O'Brien, 34, say exclusively Our weeklyThe "I think of it in the way of appreciation and horrible ways about it, I fear that I will not be able to handle it."

Yet the 34 -year -old man has seen himself attracted to this script, as he called it a very "unique type of damage."

Warning: For the bottom spayers Double::

Written and Managed by O'Brien's Coster James Siney, TwiceThe Roman character has made the multi-faceted actor in the dual role, his twin and his brother Rocky are trying to process death. In a mourning group, connecting with Roman Dennis (Swinn), a colleague "twin" soul quickly becomes its fragile lifeline. However, as their friendship deepens deepens, and the boundaries of vague-secrets threatening to expand their bonds: Dennis is not a twin, but a person who was once a rocky night stand and searched Roman by pretending false.

"These are all universal feelings: loneliness and mourning, identity, friendship," Obrane explains. Here, he said Ours Still more about setting foot in his most personal role:

Our Weekly: How did you go to portray this heavy emotion practically?

Dylan O'Brien: I have experienced a bit of a loss, but in most cases I am very lucky. I still have both my parents and my family and friends. However I think I'm a very sensitive person. There are other fields of deep pain in my life that I got in my life and it was definitely felt in my world. I was always someone who was really shocked to see the experience of other people deeply. So I certainly got this piece completely hit. We are talking about this unique kind of mourning and a unique kind of loss. When I first read it I thought it was such a beautiful honor of this existence on earth, which I have never seen before and I felt that it was administered with respect and sensitively and beautifully.

Our: How were you able to tap Roman, who is so sympathetic?

DOB: I just felt him. I was just that guy. And I mean the truth is, for example, in such a way that I don't know that it is so high. I'm not someone who is employed with my craft in such a way that comes from training or strategy. There are many different ways you can approach it. And I learned in such raw ways because I didn't go to school, I didn't train, and I didn't learn all these things. I was not kept in class as a kid. I couldn't find my way this way. Only I can rely on that is my authentic connection to something. And it was deeply felt as deeply as my (character) to me. It's just something that I am really close to. It just hurt me.

Our: How did you and James find your onscreen chemistry as Insa Bandhu?

DOB: James and I have conversed all kinds of life. Whenever you are trying to measure if you want to cooperate with someone, it can be tight. You have lunch, and you are just like, "Oh, what movie are we going to do?" You liked, "Yes. They seemed okay, but I really didn't know them." Something that James and I am really effortless and always staying is about life. And we are both very sensitive people. We have a lot of similarities that we have got and I think we appreciate the same kind of things, such as the closeness of a relationship and what we need there to exist for us.

Our: Roman has done a lot in this film. Is there a scene that you are most proud of?

DOB: (Here is a) the hotel room scene (where Roman breaks) that shocked me at the moment. I can't believe which was shifted, because it was exactly so real. It was so painful inside me that all of us had our own way, it was raised, but it was (Roman) and for this idea, this story, this is someone. People have gained experience (real twin losses) in this world and this is just something that I am really close to.

Our: That scene is so gutted. How do you get ready for such emotional heavy scenes?

DOB: (Hotel Scene) First accepting the movie. I performed the scene for the first time. It's funny, because a lot of it is learning to fly. And this business, even if you go to training or school, are set on the set and play the whole new ball to create things. But I'm doing it long enough to learn things about myself. If I had a really sensitive or weak scene (in the past) I would have been hard in the day because I would be nervous and I would be truly sensitive about my place. I'll be like that, "Oh, I have to go to the inner", when I am usually very loose when I work. I accept the work hyper by, but I think a part of what makes me feel comfortable is to laugh I like to laugh, I like to joke and I love the community of things making things. So in the past, I came then and suddenly it happened, "No, today I can't talk to anyone, and I need to focus." Because, if I'm fooling around and I can't implement emotions? And I think it would put me behind. Because (in this film) I always behaved as I did. You never knew that it was a heavy thing to me to be effective. I wasn't reaching the flipp. I like nothing prepared before it. I wanted to respect the word for words, it's something that I never really did as an actor. So I just memorized the words but I never practiced to perform it. I knew I would like to keep it as fresh as possible. You can't give that trial. So I came to it the way I approached every day: loose, comfortable, but of course we communicate the place we needed. And our crew was remarkable to pay homage to it and to provide us and James supporting everything I needed. I don't know that I will ever be a tendency to have any scenes in my life.

Our: With your scene Lauren GrahamWho plays your isolated mother, feels very raw and alive. What were they developed?

DOB: (We have together in the second scene) completely developed. It was one of the only developed things in the movie, because James is truly talented author and the conversation is specific and it is great and the purpose of planting and repayment of seeds. But when we are arguing in the kitchen, we were trying different things (for that scene) every time. In the end, we are really trying to portray a mother and son in mourning, shouting on each other and all these feelings. They still have such a long way on how to contact each other. One of the things I like about the story is one of the things I like to have no bow with me and Lauren in the movie. And I think it's so people. I love that you can't see some of our Montage bit embrace. I really love (Lauren). I remember he was so emotional that day that we were screaming at each other.

Our: You say that you do not enjoy doing sex scenes unless they have the purpose behind them and Double There are multiple intimate scenes. Why did they think they needed?

DOB: On the one hand, (including) Rocky, we need to know so much about who this guy is in such a short time. Her (there is such sexual power). And I think it was a part of him. He is a kind of guy who can go to you in shadow dinner and immediately tell you with his little sip and eyes that he wants to push you. And it's fun! I love people who own sexuality and sexualities and they like it.

Our: Roman also becomes close to his girlfriend Mercy Iloing FraniosThe

DOB: Yes He is an internal character that I think of the board, especially to be open with what he is currently doing. He was never before, to travel on earth before or meet many other people, so I like Roman to meet Mercy and bring it to it. He became very beautiful from the moment he came to his life. He has these beautiful moments, his little foolish, beautiful aspects and yes, an intimate side to him from his sexuality, which I think is really warm to look at.

Our: Lastly, you were vocal about you want to see Rome-Koms coming back. Why?

DOB: Something I'm missing nowadays is this level of cinematic intention and sophistication to them. We still have them, but it needs to be dumb and cheap like them. It was never a-list actors did Rome-Koms! There was a movie that you want to cry at the end. Had smart, cunning conversations and chemistry and fun order. I think TwiceAn exceptional example of returning to these types of movies.

This interview has been edited and synthesized for transparency.

Double Now in the theater.