Hollywood's hopes were tall in the sky For the summer film season in 2025. With Three Superhero Tentpoles ("Thunderbolts*," "Superman," and "The Fantastic Four: First Steps"), Two Primed-to-Explode Live-Eaction Remakes of Beloved Animated Classics ("Lilo & Stitch" and "Howted To To To To To To Your Dragon "), The Brad Pitt Racing Drama" F1: The Movie, "and Tom Cruise Bidding Adieu to Ethan Hunt in" Mission: Impossible - The Final Considering "In describing, studio and exhibitors believed that attendance would at least be significantly improved by 2024. return to theaters with pre-understood numbers.

It is not a result in the nightmare, but it is a disturbing sign of the health of the film business that the ranked summer has dropped to $ 7 million less than a $ 3.67 home -based cashier of $ 3.67. How did this happen? For Beginners, Jamesesies Gun Superman has hit the Superman table internationally (and prematurely debuted streaming after a month-long theater theater trails to cheat streaming numbers for the "Peacewar" season, It guarantees that A -List characters are guaranteed, such as the "fantasy".

Is this a point of penetration for a theater exhibition? I argue that what the audience longs for this uncertain moment is the original visions of the most talented directors working today (as evidenced by the success of the escape in the box office and "sinners" of Ryan Kogller and Zack Creger's "weapons"), but most of the directors employed in the largest employee (the largest employee employed in the largest study (Varnet brother brother. My job is Luke and Pubani. are the exception here) are driving-or-die franchises managed by IP. Since Rebirth Jurassic World Rebirth has cleared $ 847 million worldwide, there is a reason to believe that this is the safest, most practical way forward for business.

That is, if there should be a business as we now know it. In her summer post -mummy in 2025, Hollywood reporterPamela McClindta quotes the studio's "top executive director of the studio", which thinks the film industry is, in many cases, chasing audiences that do not exist. "I'm very, very nervous about the future," they explained. "There are all these studios and companies making movies. I think there is not enough audience for them."

Most of the studio chiefs and of course exhibitors strongly disagree with this feeling. But let's hear this anonymous executive. Are viewers flooded with pictures of images?

The era of streaming absolutely plunged us into the media. The multiplexes are not as taxed as they once were (back when it was rare to devote more than one screen to a new release, unless it was a full, predetermined blockbuster), but it's only because many films that would ever get a theater release are now shipped directly to streaming. Similarly, there was sometimes a time when Netflix's "Happy Gilmor 2" would be one of the biggest theater hits this summer. Even Critically appreciated by Spike Lee "Highest 2 Lowest" It was mixed by Apple, given that, as a kidnapped thriller with Denzel Washington in the lead, it could easily be a big business on the big screen.

I appreciate that Ted Sarandos on Netflix has an interesting interest in declaring the death of the theater exhibition, but he is full. This year, I brought different groups of friends to the theater (where some of them were not for some time) to see Triumphs with the pleasure of the crowd as "sinners", "The Phenic Scheme", "The Naked Gun" and "Weapons". The houses were generally full of two -thirds, and people relyed, ridiculed and what not, as these first grade filmmakers worked. Was bliss.

2020 was not so long ago that people couldn't get back to go to the cinema. If "Lilo and Stitch" or the "renowned world Jura" disappointed commercially, it would be legitimately concerned. But people gathered on the things they traditionally gather. Honestly, I think the studio should return to longer windows for the theater edition. They just get hurt by treating multiplexes as celebrated boutiques. More than ever, many people want to get out of their home, drown the horror of our world and get lost in a movie - and if things break the way, they threaten to break through, this running for escape will only be strengthened next year.

Obviously, the era of digital film allowing more people to knock out images in a moving in a shocking short period of time. Unfortunately, most of these films look unnoticed, if not completely terrible - and this applies to many studio editions. But if the studio had to re -treat theaters like dream palaces, where you could see only the latest films from great directors and great movie stars, their treasures could be improved. The pivot to streaming was a self-wrapped wound. Cutterize it and be more like De Luke and Abdi. The future of the theater exhibition should not be so dark.