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It's funny like "Starwells War" and "Indiana Onesons" are also incredibly popular franchises that most fans agree with only a few films that they like legitimately as they accuse others of destroying the franchise and cinema as a whole. If - from five films - you really find "Indiana Ons: Thieves of the lost casket" and "Indiana Onesons and the Last Crusade" to be great movies, do you really like the franchise, or just those two records?

Before the "Kingdom of the Crystal Skull" Redefined what the bad movie "Indiana Onesons" may look likeIt was "Indiana Onesons and the Temple of the accident" that created growth in the random and was considered a widely controversial film in terms of quality. It is a darker, repetitive film, the one (because of his status as a foretelling) has left many of what people wanted for "Indiana Ons: Thieves of the lost casket" (like Karen Allen Marion Ravenwood) and seemingly opposed to the unwanted ignorance. Not that the "temple" is without merit, of course. Harrison Ford looks better than ever as the famous archaeologist, Hugh Kuan is a phenomenal addition to the franchise, and the sequence of sacrifice of the abuser is terribly pleasant in its ability to traumatize entire generations.

The "Temple of the Accident" came in dark time for Spielberg and Lucas, with the former withdrawing from his involvement in a film that killed two children and one man and the second has just ended the marriage. The script for what would eventually become the second film "Indiana Onesons" was so dark (despite being rated by PG) that scared Lawrence CasdanWhich Lucas initially attracted him to write the script.

However, as strange as "the temple of the accident" and just as bad as some consider it, it could have been much, much worse. This is because the original idea of ​​George Lucas to follow "Indiana Ons: Thieves of the lost casket" was supposed to include real dinosaurs.

In the book "Mythmaker: Life and the work of George Lucas", Author Johnon Baxter tells how "Paramount Pictures" pressured Lucas to make a sequel to "Indiana Ons: Thieves of the Lost Chest" in 1982. When Lucas met Michael Eisner to talk about the project, he suggested a film that would allow him to be filmed in China. "Lucas missed an opening in which Indi's villain after the big Wallid with a motorcycle," Baxter wrote. It sounds pretty cool, but things have turned around. Lucas "also visualized a kind of" lost world "paste, with a hidden valley inhabited by dinosaurs."

Unfortunately for Lucas, but fortunately for the rest of us, the Chinese authorities were not fully prepared to allow Western films to shoot there at the time, at least not for the type of money offered to Paramount, offered to shoot in the country. Thus, the idea broke up and Lucas went with its second, one for cult and human sacrifices.

The Indiana Onesons franchise is a lot of things, and goes to some wild supernatural and fantastic places (inspired by the series of films of the 30s and 40s and films like "Gunga Dean"), but they do not have dinosaur. Much of the reason that the "kingdom of the crystal skull" failed so spectacular was that it was a huge tone departure for the franchise, as it attracted inspiration from the 50's B-films and went more science. This is a franchise for ancient human eras. Of course, it deals with ancient forces and a lot of mythology, yet we only deal with people - except in The fantastic video game "Indiana Onesons and the Great Circle", " that deals with non -philim (creatures the size of the giant). To meet Indiana Onesons to meet a dinosaur would be a bridge too far, one of which the franchise would never recover.

If you still have some morbid iOsubocity about what the story "Indiana Onesons" may look like in a dinosaur, the basic idea lives in the 1996 Indiana Onesons book, and Max McCoy's dinosaur eggs.