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When people hear "Cape Fear", they think of ... Well, probably the episode "Simpsons" "Cape Fair". Featuring Sidshaw Bob, who walks Bart Simpson, "Cape Fear" is the best movie parody that the show made.

But if so no Our favorite yellow family, the phrase "Cape Fear" is likely to make Robert de Niro as Max Cady sitting in the movies, smoking a cigarette and laughing at the ass. We look at "Cape Fear" One of the best movies Scorsese and De Niro have made it together. Deprives them from his hometown Newujork, But Scorsese still uses his pet themes: Violent people, a justice system that provides its own corruption and good Christianity. Listening to a smooth speech on the south that exits De Niro's mouth can take a second of adjustment, but like Cady, he sticks to the screen as he always does.

"Cape Fear" is set to the south and characterizes Nick Nolte as Sam Bowden, a lawyer and family man whose life and closest relatives are endangered when the person of his past enters the picture. But it was not the first time this story was told on the film. Scorsese's "Cape Fear" is a 1962 thriller movie entitled - wait for it - "Cape Fear". Technically, both films are adapted by the "Expeve" (1957 novel by Johnon D. McDonald), but that book has fallen into ambiguity in a way that no movie has.

Directed by J. Lee Thompson, Cape Fear StarsVents in 62 Gregory Peck as Bowden and The bad boy of old Hollywood Robert Michum like bathtubs. If you think it's daunting in "The Hunter's Night" As a murderous preacher Harry Powell, just watch Max Kadi on Michum, who has all the charm and threat of hungry alligator.

Scorsese made Cape Fear in terms of the original. The film's stars even enter the remake: Michum plays a police detective, while Peck plays a gray, a lawyer who loses the Bible, kept by Cady. Thompson also approved Scorsese and De Niro who raised the film. Interviewed for "Making" Cape Fear "(characteristic of the DVD -release of the film in 1962 in 2001), described the director of the film "King of Comedy", "" " Who was directed by Scorsese and starred De Niro as a glory-gray Vanabe comedian Rupert Pupin, as his favorite movie. Of course, he couldn't trust anyone more to rework his film.

In the retelling of Cape Fear, Scorsese, De Niro and Co. Out of the original?

"Cape Fear" in '62 was a film made within Alfred Hitchcock's "Psycho", Down to the shooting in black and white and getting Bernard Herman to put together the result. That's a comparison to this day, because no movie now feels as scandalous as they have done the initial release. They are still Great The films, to be clear, but what was then pressing the border is now restrained. Even the black and white color of both films can feel less nasty and stricter.

However, Scorsese's Cape Fear? It's just as wild and frightening for 34 years, because it can be madness where the original retained the Chase code. That's a loud Picture and not only because the film repeats Herman's original orchestral music. Every shot, every cut, every swing of the camera is as huge as possible. Cady Juli that he is as great as God, specifically the Old Testament one who took away everything from faithful work. By the way the film shapes him and his tattooed torso, you almost believe it.

Sam is less than a good man in the remake, complemented by casting the sweaty, Hagard-Glas. In the original, he is pure cut like Peck's jaw and practically the actor's audition to play Aticus Finch in "To Kill Mockery". He holds a happy home as a patriarch of his family while in a remake, he is in the face of cheating on his wife Lee (Essica Lange) with clerk Lori (Ileana Douglas) - who Kaddy attacked and raped, biting a piece of cheek.

Bowden's history with tubs is also mixed. Bowden saw Cady attacking a woman, stopped and testified against Cady to take him. The remake takes Bowden's work as a lawyer and links it in a more attractive way; Nolte's Bowden was his own lawyer for a rape trial defense. He buried evidence that the victim was promiscuous because he could say what the Cady monster was. Sometimes, the moral choice is also unethical, but is it the right to condemn the man one-hand as that? Caddi himself would say that it is reserved for God.

Bowden's Daughterter's Daughterer goes from innocent girl Nancy (Lori Martin) to the original of Moody teenager Daniela (Ietuliet Lewis) in the remake. Compare also how Cady tries to get it. In the original, he ambushed her at school and has a chase sequence. The result of the wire is to keep you on your fingers, with Nancy looking for any escape, as Cady is slowly advancing like Proto Michael Meyers in Halloween.

In the remake, Kadi deceives Daniel into her school audience (a fairy tale on stage suggesting that he is the big bad wolf) and turns the charm. He talks about her resentment to her parents, and his sweet words shake the eyelashes; Caddy is able to go up, kiss her and glue the thumb into the mouth, all invited. It's not just more transgressively, it's also much worse; Caddy acts less threatening, but the danger is more realistic.

Both films have the same culmination set on a swamp. The Bowden fleeing a boat, but kaddy follows and attacks them. The original is made by a Sam action hero; The confrontation ends by keeping Cady on a rifle and delivering a righteous speech on how he spared his bathtubs so he could rot in jail. (The ultimate proof that Peck is the best Batman we never had..

The remake transmits the action directly to the Bowden ship during the storm. Sam is not a match for Cady, but before he can bring a killing blow, he has been deleted by the river. He drowned, grinning that he was "tied to the promised land". The film then closes with Daniel's traumatized face slow, as long as everything you see is not her scared eyes; She tells about the blow, saying things were never the same for Bowden. Her last words are read as optimistic ("If you hang on the past, you die a little every day. And for myself, I know I would like to live more.

If anyone could resist the trend of remake that rarely responds to the original, they were Martin Scorsese and Robert de Niro at their peak in the 1990s.