Part of what makes the unique franchisee "foreign" is how different each installment of others. Until "Alien: Romulus" came out, no movie "Alien" was the same, rarity not only in the big franchise of horror, but in Hollywood franchises regardless of the genre. The "aliens" were very different from "alien" because of horror change in action, while "Alien: Covenant" was a story that causes Frankenstein thinking.

Then there is "Alien: Resurrection", without a doubt the franchisee's absolutely strangest film (and even counting the crossovers "Alien vs. Predator"). It is a psychosexual fever that could only make a real French sico like Jeanan-Pierre Unnet. Although they are now discovered by some fans, this sequel has been abused the longest time to be too strange, too French, too cynical. And yet, it is done enough of the influence that the "resurrection" feels like a very clear inspiration for the most interesting aspect of the new show "Alien: Earth".

Created by Noah Holly, the show created a quarrel in the editorial office /film, with many agreed with our The description of the Chris Evangelist show as "a lifeless slogan that is a chore to sit down", While others (properly) appreciate Howley, trying something new. The first franchise breakthrough on television, "Alien: The Earth" follows a group of children whose consciousness is transmitted to synthetic bodies, as they are involved in the very stupid plans of the mega corporation to profit from the space in the space vessel carrying deadly foreign creatures. The series offers new downloads on topics and ideas essential for the 46-year-old film franchise as "the evil of capitalism". (Here, the world is quite literally driven by five corporations).

And yet, the show also finds the time to be a little kinky sometimes, recently in episode 4, when Wendy (Sydney Chandler) comes face to face with a newborn and ... caressed it. It is a moment that echoes a similar view from Ripley 8 (Safe Waver) in "Alien: Resurrection".

Ever since her first encounter with Xenomorph (which ended in the murder), Wendy managed to hear the unique frequency in Xenomorph's vocalizations (one shared not only by adult Xenomorph, but even to be Tadpole as in the face of the face). She is able to collect the data from what she has gained and heard to produce the language of alien apex's foreign predator. It is already quite eerie to hear Wendy speaking in the frightening sounds of the killing machine, but deteriorates at the end of the episode.

This is because Wendy sees the lungs she carried by her brother burst, her chest appears. When it comes to a person with a face with Wendy, she manages to stop him in her paths and tilt her head as an iousubopite puppy. The implication that Wendy was essentially talking to the creature and listening to her is huge for the show and franchise as a whole. For one, that would be Pay the idea for the first time introduced in a reduced line from the original "alien" By being able to communicate and may even even control xenomorphs (at least enough to prevent them from killing someone they love). That's definitely what the boy Cavalier (Samuel Blenkin) will conclude, and he will absolutely try to use Wendy to "raise" Xenomorphs as a weapon, like the raptor team in the Jurassic World. It may be interesting for "Alien: Earth" to ask this question: if one can communicate with Xenomorph and think you are one of them, would you listen to you? It is not such a great discovery to break the canon, as Wendy can not only hear the language of Xenomorph, but also has a synthetic body that the top predator does not consider a threat or prey.

However, most importantly, is the way the sequence is recorded. There is tenderness at the first encounter between Wendy and Chastburster, almost like a mother and her newborn. The Xenomorphic Chopburster seems to perceive Wendy as someone worth listening to, which brings the strangest part of the already strange "alien: Resurrection".

In "Alien: Resurrection", Ripley 8 of Reliable Waver (Ripple Clone) is used to give birth to a stranger's queen, who gives birth to a xenomorph/human mutant hybrid monstrosity that is no doubt the most grotesque creature in the whole franchise. Almost immediately after she was born, the creature (stated in the novel as a "newborn") includes her queen and tears her head, apparently thinking that Ripley is her mother. Ripley 8, who has a mixture of human and Xeno DNA in it, had a mental relationship with xenomorphs, especially the newborn, and could understand them on a primary and emotional level.

This has resulted in the only time when the audience felt sad about Xenomorph, as Ripley was forced to kill what is essentially her newborn by sucking it in a space piece by a piece through a small opening in the spacecraft. To get worse was the expression of the newborn's face: one of the absolutely confusion, innocence and sadness. This was the first time we see Xenomorph with "feelings", in no small part, because Ripley understands them. Now, "Alien: Earth" has a chance to continue that idea and do the funniest thing by giving us another sad story about Xenomorph.

Indeed, Wendy's elbow seems to be a continuation of the concept of Ripley 8 - a person who was not very human, but also not alien. The exclusion of Wendy with mankind thanks to the "pruning corporation" that remind her and her brothers and sisters that they are not very human, despite her ability to communicate with Xenomorphs, it can end up forcing her to unite with other creatures more than the people around her. What choice will she make when the Xenomorphs try to kill all the people with fornication and Wendy the opportunity to stop or leave it?