
Hank's Hank may have been too niche to catch a wider audience, but it also happened to be her strength and weakness. His spiritual predecessor was 2021 Netflix series called "Chair" led by beautiful Sandra ohwho suffered a similar sad fate after the short first season. This show also engaged in the fighting of the president of the English University department, was well received and praised by critics, but still very much and short -lived. But if you ask me, "happiness Hank" is better than the two because of the willingness to dig deeper into personal struggles and traumas in order to give a deep study of character.
The plot is followed by Odenkirk Hank Devex Runior, an awkward and dissatisfied English language professor who does not miss the chance to live in every miserable moment of his increased mid -life crisis. He is also a writer with a novel that no one has read (even if they say they have done it) and is out of print, trying to follow the footsteps of his well -merged and deeply respected novelist father, whom he has taken for decades. Hank has drowned in professional and individual Enui, which seems to have become accustomed to. His ambitions are lukewarm and gather some motivations to achieve some of them can also be a task equal to finding a cure for cancer. He is too old, resigned and countless to try to get out of the mental and emotional package he (and his surroundings) put inside. He says: "Being an adult is 80 percent misery." The older you are with goals you have not yet achieved, the more you can find the sentence to be true.
But the truth is that Hank does not have all the legitimate reasons to feel this way. He has a beautiful house, confident, if he is unfulfilled, work and a circle of associated friends and family. His wife Lily (Mireyl Enoso) knows the curved and outbursts of his self-older and misanthropy, as well as how to help him keep them checking. His daughter is bright, even if she is too involved in her own life to see what happens to her father. And then, here's the closest friend of Hank, Tony (Didrich Bader), who enters and enters and comes out of the picture as she thinks it is appropriate. The problem really starts when Hank burst into a monologue in one of his writing classes, telling his students out and declaring this college regretting the capital of mediocre. As expected, the incident quickly spiraled as a result of voice recording of Hank's outfit, captured by another student in his class.
It is setting up, bringing a myriad of problems for our hopeless hero of his work - dealing with his powerless, envious and often snobby colleagues, along with the awkward dean of the school - but the root of his misfortune lies elsewhere. And during the 8-episode first season (based on Richard Rousseau's book in 1997, "Dust Man"), the writers take us there to get the whole picture.
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