Sometimes when creative people take a really big swing, the large parts of the audience simply won't climb the ship. There are a number of phenomenal films that descended with critics and audiences, or because they were ahead of their time or were too weird, but at least one of those films had a serious critical candidate in his corner. Tarsem Singh Incidentized science fiction thriller "Cell" Was very bad with most critics, but was modest success in the box office, and the late, great Roger Ebert actually put him on his list of 10 best movies from 2000.

Tarsem's films (he misses the surname of his professional efforts) are not for everyone, as he tends to prioritize visual aesthetics and great thematic overtakes regarding traditional storytelling, and the "cell" can be deeply challenging for an audience. It is a serial story of killer hunters like "Silence of the Lambs" or "Girl Kiss", but with a scientific turn, as a child psychologist Dr. Catherine Dean (Ennennifer Lopez) uses the mind that connects technology to go inside the Series of the Comato's Comato, Such as the automatic system, such as an automatic system, such as automatic, such as automatic, such as automatic, as automatic, such as automatic, such as the technology of its latest victim, to appear automatic system for automatic system. "Cellellia" is a visual holiday with a slightly convoluted story and some uneven acting that is still a feat of filmmaking - though, it is far better than some of the director's later things, such as the Snow White Adaptation, "Mirror, Mirror" or Miserable Greek mythology based on "immortals". The "cell" is not perfect, but it deserves Ebert's praise and I hope he gets more for a repetition in the future, because it is really stunning.

In his entrance to "The Cell" on his list of best since 2000, where he ranked number six, Ebert wrote: "Tarsem, the director, is a visual virtuoso who juggles his stories without effort; it's astonishing, the way he mixes so many notes, styles and styles." Since large pieces of film are fully in the world of dreams, surreal sets and locations in the world of view make the "cell" feel alienation and disturbing in something unique ways. The horror is rarely so colorful, Both the design of production and cinematography of "Cellellia" make it one of the most beautiful horror films of all time. Also, the horror is not discolored, with some really shocking moments like the demonic internal version of the D'Onofrio killer, which reveals special agent Peter Novak (Vince Vaughan) on a golden rotating skewer or Catherine, stumbling through the horse. Maybe it was too much for some viewers, but Ebert was sold no matter what. In his 4 of 5 embroidery ReviewHe said:

"I'm not looking for film information in advance because I want to get in with an open mind. Going to the" Mobility ", I knew absolutely nothing about a plot or premise, but TV producer at New York made a point to tell me how much she hates him, and various correspondents on the internet told me how bad they were. Did we see the same movie? "

Even in the most unrelenting, fiercest moments, "Mobility" is astonishing to look And it takes such huge changes that is truly admired. And frankly, even if it wasn't for it, it's one of the best exhibitions of designer Eiko Siyoka's work and it's worth something.

Japanese artistic director and costume designer, Eiko Isioka, worked with Tarsem several times after the "cell", including the less successful "immortals" and "mirror, mirror". She also designed the suits for his stunning, Globe-Tucking EP "Fall", which is probably his best film and stars Lee Pace as a suicide bomber of the 1920s trick, who hangs out with a little girl with a great imagination while placed in the hospital. Perhaps Ishioka's most famous work designed suits in Francis Ford Coppola's phenomenal "Dracula Stoker" when it became the first movie film for film Sometimes give Dracula a little swing.

In "Cell", Ischioka created a lot of suits For the world of a dream that is truly wonderful, including the one for Lopez to wear when Catherine becomes closed in the killer's mind with a collar and chrome muzzle (in the picture above) and truly frightening manifestations of the inner independent killer, while he holds the court of his own castle. She also created the costumes that people wear to use the technology to convey the mind and reminiscent of the incredible muscle armor, Gary Oldman wore them in "Dracula". Take a look, the performance of Vaughan Really The strange and surreal nature of the dream world can be a little huge, but the "cell" is worth seeing only for Chishioka's suits, more than any other Tarsem movie. Ebert and I can't be wrong, right?