Clint Eastwood has made all kinds of films throughout his career (even Gothic Horror Film through "The Beguiled" by Don Siegel), but he may not have a career if he was not acquainted with audiences around the world as a Starwar in the West. Viewers of American television met him Over eight seasons of Rawhide on CBS "Rawhide" Through his stable display of the cowboy Road Yates. When Eastwood got tired of television, he went to Spain to make an unusually violent western called "Bist of Dollar" with Italian director Sergio Leone. Low budgetary endeavors caught first with European film films, but because the film was so similar to Akira Kurosawa's "Yodzimbo", "United Artists Waiting for Legal Problems to Solv States.

The arrival of Eastwood coincided with the fall of Johnon Wayne, whose old-fashioned Oatri were too stable for the increasingly adventurous movements of Baby Bumer. The West's violence and cynicism of Eastwood more accurately reflected the problematic situation of the world, allowing the actor to become an icon for a new generation genre.

Although it is true that Eastwood will also become narrowly identified with police officers (thanks greatly thanks His series of dirty Harry movies), Green light with it in front of the camera (and usually behind the camera) was a guarantee of success in the box office. Of the 14 he made (we don't consider his unravoided performance in the 1956 Starwar in 1956), the only miss is his literally deaf deaf performance in the film adaptation of Lerner and Loeve's music "Paint Wagon".

Everyone has their favorite Eastwood Western - it's called "disadvantaged". I'm kidding. Type of. I am not alone in that I think it is one of the biggest films ever made, but many people will go to the mattress for "good, bad and ugly", and others will release their pistols with fierce support in the West of 1976, which Eastwood himself rated quite high.

"Outlaw Josey Wales" is one of all time in father's great films. During the US Civil War, she acted as an Eastwood as a Missouri farmer turned into a vengeance bush, after pro-syndrome soldiers kill his wife and son. Eastwood is in his bloody best camera as the protagonist of the film, but at the time of its release, he was a huge step forward for him. Critics approached him after His directorial debut "Play Mogs for Me", But the "conclusion Oseosi Wales" feels undeniable. He received predominantly positive reviews and prompted the fiercely thought of Orson Wells to call Eastwood "one of America's best executives". Looking back on his 1999 DVD movie, Eastwood noted that it was "of course one of the high points of my career ... in the western genre of film work".

The film has a 91% tomatometer grade on Rotten tomatoesAnd, since her publication, she has become one of those films that fathers convey to their children as Mom shakes her head in resignation. But although at times it is incredibly violent and quite mean, she brings an anti-war message-which was certainly not the intention of the racist author of his source, Asa Earl Carter, who, according to the first film director, Philip Kaufman, was a "cruel fascist" with malicious anti-government views.

Yes, the great Kaufman, who made an American classic with the "real material", was initially steering about "The Oseosi Wells conclusion". Unfortunately, he clashed with Eastwood over portraying the main character and, mostly, worked too slowly for his alcrinity starvet. Since Eastwood was also a producer, these disagreements led to Kaufman's dismissal - though the way of firing and the fact that Eastwood took over the reins, made the directors of the US guild to carry out a "Rule of Eastwood", which forbids Stars' and producers to do their place.

In my mind there is no doubt that Kaufmann's "Outside Oseos Wells" would be a very different movie (the one I would probably like), but I think Eastwood effectively carries that war in monsters. Despite its disgusting origin, "Extra Oseos Wells" on Eastwood is a vital film.