Spoilers Next for the latest episode of "Alien: Country".

Among the progress in visual effects and increasing the budgets of the TV show (the little two-point match itself), it has reached the point where the TV spin-off of big film franchises can look just as good as their big screen colleagues. The "Andor" show has practical sets that look huge and detailed as those in any movie "Starwells War" made in the past 25 years, while "Power Rings" have delivered Big battles on par with those in Peter Acksecson's "Lord of the Rings".

Enter "Alien: Earth", a series with impressive production design, but also the one that has broken up /film newsrooms. Indeed, depending on who you are asking our staff, they will either agree with our own Chris Evangelist (who, In his review, called a play "A lifeless slogan that is chair to sit down") or to expand the virtues of Noah Holly's new download to the 46-year-old Alien franchise.

After the seven "alien" films and a pair of crossover films "Alien vs. Predator", "Alien: Earth" finally brought Xenomorph to our front door by telling stories with long shapes. The series takes place in 2120, two years before the events of the original film "Alien" in 1979 by Ridley Scott and takes place in a world dominated by mega-corporations competing to achieve immortality through synthetic technology. Of course, when the ship with deep spaces carrying foreign creatures fall to the ground on earth, it freeed the absolute hell.

However Some of the Oreb Accessories in "Alien: Earth" exceed the franchiseWhile the focus of the show on children whose mind is captured in synthetic adult bodies can alienate fans who hope for an adult focused story, has two things Holly and his creative team managed to catch Scott's science classic. For one, the series looks astonishing, with a design that is like something directly from the strangest dreams of HR Giger. The second thing is that "Alien: Earth" retains the horror atmosphere of the film and contempt for corporations, which is what makes Houlley a worthy addition to the directors' list to work on "foreign" property.

It is also exactly why he should take over the "Jurassic Park/World" franchise next.

The first three episodes of "Alien: Earth" deliver a wonderful horror bow alone. It all starts with what is essentially a remake of the opening of Scott's "Alien", with a spacecraft crew in this case, USCS Maginot-Book of Krio-Son and deals with a playful fever during breakfast before things quickly erupt in chaos when others are being taught. Only the footage of the ship's security officer, tomorrow (Babu Ceysay), in contact with Wayland-Jutani while Xenomorph is trying to break the door by separating it from instant death, are exciting alone.

After that, the second episode is lowered directly into hell, with USCSS Maginot Last Falling in Newoo Siam (Today's Thailand)an area controlled by the Prodigy Corporation. The whole episode is pleasantly tense, with different foreigners destroying anyone who came into contact with them. Howley and director Dana Gonzalez find new and creative ways to use xenomorph to create horrible and disgusting scenarios here, such as the "Apex Predator", who falls a lavish dinner and literally eating the rich (or a scene where Xenomorph is just a statue.

It's not just xenomorph, though; We also get an absolutely daunting scene where an alien comes out of the dead cat's apple.

With "Alien: Earth", Holly has already proven that she knows how to build and maintain tension, create exciting pieces and use creatures for a frightening effect for more than two hours. Only the first three episodes (with the fall of the earth's magin, the aliens who fled and catch the fornication) make more cohesive story than any of the films "Jura World" to date - and without teaching the franchisee's attitude for mercenariesor. Holly, in other words, could be the director who finally saved the Jurassic franchise via a live TV show that actually captures the horror of the original novel and film "Jura Park"-one of course that the dinosaurs of the property are not sweet.

One of the problems with the Jurassic World film is that each of them has spent too much time adding things to the franchise, for no reason, except to justify making another of these films, all before the horror and action of the dinosaur. However, until that point, it is usually too little, too late, which is something Holly can easily fix.

Then, we have an idea to convey a human child's awareness in the synthetic body of "Alien: Earth". Well, people are divided into this element, but allows the series to explore corporate warfare issues and uncontrolled capitalism, with the idea of ​​corporate literally owning the planet for a brilliant sequel to the film's original film "Alien". Moreover, it shows that Holly could deal with similar themes from Michael Creekton's original book "Jura Park". After all, the "foreign" franchise has always been anti-corporations, with each film exploring that idea differently. "Alien: Earth" simply expands on the subject by introducing a world in which a company can own country. Can you imagine what Holly would do with the industrial complex genetic technology?

The point is, the Jurassic TV show, driven by Howley, could have made the franchisee in the live action that the Jurassic World: Camp Cretaus did in the animation-namely, dive deep into the conflict between his own corporations of the franchise (

"Alien: Earth" is now running on FX on Julu, with new episodes falling on Tuesday.