One of the bravest contemporary authors in the cinema is Ari Aster. Aster was first noticed with "the odd thing for NSONSON", His short film on the thesis while studying at the ACI Conservatory. Filmed at 35mm, this short film provided viewers an early exhibition of Aster's fearlessness as a director, especially his research on psychological horror within a complicated suburban family. Impressed by the short film, A24 Greenlit "inherited" as the directorial debut of Aster. Released in 2018, "Hereditary" became the highest film with the highest grace of all time, until all time, as long as "Everything everywhere at once" broke the study record in 2022. With his debut, Aster immediately attracted the attention of kinefiles and critics, thanks to his uncompromising vision and his willingness to challenge the audience.

Aster has directed three more original projects, including the horror movie "Midsmar", the surrealist dark comedy "Bio is afraid", and recently, Western political satire "Singleon", all produced and distributed by the A24. Although initially attracted film enthusiasts with its hypnotic voice in the era of elevated horror, Aster with its recent two projects is looking forward to telling original stories in different genres that are unambiguous than his imagination. In an era when many people complain of constant sequels, restarting, adaptations and film universes dominating multiplex, Aster's authorship continues to be an invaluable contribution to the media today. Here's the filmography of Artist Martin Scorsese calls him "one of the most unusual new voices in the world cinema", " ranked.

A single-two-two stroke of ARI Aster on "Hereditary" and "Midmarmar" in years has been comparable to the likes of Quentin Tarantino and Pulps' reservoirs or, recently, Ryan Kogler's "Frivval" and "Creed" and "Creed" Of course, the anticipation was the construction for Aster's next project, especially when it was discovered that he would work with the Academy Academy Academy Academy as a film leadership. Four years after Midmarmar drawn the audience, "Beo is afraid" Hit theaters, testing the patience of its viewers as Aster's most uncertain film to date, making it still worth watching.

Three -hour surrealist trip Kafkaesk, "Beu is afraid" brilliantly captures the tormenting pain of intense anxiety, beautifully brought to life with stunning cinematography, impeccable editing and, above all, the performance of the Phoenix. Aster was not afraid to upset viewers with his third directorial effort, deliberately leaving viewers uncomfortable from the first frame, until his Bonkers climax and endin which there is one of the most incredible and disturbing images taken in the cinema this decade.

After making waves in horror and causing deep surrealism, Ari Aster decided to solve our current reality through the lenses of the neo-Western political satire. "Singleon" It takes viewers in 2020 during the pandemic, the era that most of us would like to forget, but which irreparably damaged society around the world. Aster dives a head in the rights of the US climate at the time, when the wars in culture over the mandates of masks and skepticism of vaccines were on the ground of Fever, which coincides with national protests against police brutality and racial injustice after the killing of George Floyd.

Ari Aster successfully engaged a thoroughly engaged satire after the character ensemble in this titular small city, especially with the political division between Sheriff Oeo Cross (Aoakin Phoenix) and Mayor Ted Garcia (Pedro Pascal). Singleton serves as a statement of biting how virtually every American is tormented by their social media algorithms, which attract everyone into diametrically contrasting realities, further separating communities. Tensions come in the head of the film's third act, leading to an unpredictable finale that is equal to funny and tragic, serving as an amazing indictment for our frivolous stupid political era.

In 2019, "Flying in the Summer" Tight horror fans with his hypnotic hell of psychedelia, festivals and cults - with almost all frightening images captured in wide light. Ari Aster's sofa effort is not a decline, coming out of the gate with one of the most disturbing sequences of opening in the genre this century. Beautifully captured by the euphoric cinematography of Pavel Primerzeski, the visuals of the film vibrant, the sun-beautiful Swedish village serve as a striking contrast to the heinous, violent images shown because our basic characters realize that they have received more than they have dealt with.

In the center of Midsmar are Dani (Florence Pug) and Christian (Jackec Reynor) whose already a rocked link has been put on the final test during the nine -day summer festival. Only when you think things could not get worse for these two, Aster reveals the disturbing mystery behind it, leading to one of the most catharical conclusions of a horror film protagonist for the past 20 years. Especially Pug is highlighted in perhaps its best performance to date, showing the audience some of the top -ranked faces of Abject Terror so far made on the film. Friendly Reminder: Don't get rid of the sacred tree of a sketched festival, because it won't end up well for you.

With an already impressive career that covers four films over seven years, ARI's first film "Inherited" It still rules as his best job to this day. Further research in the complicated family dynamics seen in his short film, "The Strange Something for Nsonson", "Hereditary" meets Grahams (sorry, Kendrick Lamar), a sad family of troubled trauma with a mysterious cult history. First, attractive family drama and chicken, psychologically suffocating horror film second, "inherited" is the triumph of masterful film filming. It's one of the Best directorial debut of the century.

The Graham family is made up of a beautiful group of actors, with a respectable twist by Gabriel Byrne as Steve, a man and father. Alex Wolf has successfully shed his image on the Nickelodeon Starwar Star Star in a fatal performance as Peter, the problematic oldest child, and his sister, Charlie, is enigmatically shown by the unforgettable Milli Shapiro. However, Tony Collet's leading performance As Annie, a thoroughly destroyed wife and mother, is a DE force tour - although she was tricky attracted by the Academy Awards.