"Hell House DOO" is the small franchise for horror that can-a low budget series of films that have found viral attention. Steven Conyat's films have a real spirit of DIY, and while they can be harsh around the edges - the dialogue is stuck, shows clumsy, VFX purely bad - there is a real charm to be found in themselves. The series began with Hell House LLC, a declared footage of footage in which a group of professional persecutors renovate an old hotel in a haunted Halloween house-just to detect the place is Really haunted.

The "Halloween tight house that turns out to be really haunted" is one of my favorites; I'm a Halloween Moron of all things and I feel like I am revising the first "Hell House LLC" every Halloween season to partake of her frightening vibrations. Cognetti could have (and perhaps should has) stopped there. Instead, he turned the "hellish house" into a full franchise with increasingly complicated mythology and some reduced returns.

The sequel, "Hell House LLC II: The Abadon Hotel", is fine, but it seems to miss what the first film has made to highlight. The third entrance, "Hell House LLC III: Fire Fire", is a great disappointment, essentially playing as a TV clip -show that blinks back to the scenes of the first two films. And yet, the fourth entrance, "Hell House LLC ORIGINS: The Carmichael Manor" surprised me - felt like Return to form and managed to cause some effectively nasty moments. Now, Kojnetti is back with the fifth and alleged final film, "Hell House LLC: Lineage". And this time, the director is trying something different: while all the previous films have found a footage/documentary format of the documentary, "Loza" no. It is also the first movie in the saga to get a theater release. And as I praise the bumps for reaching this away and trying something new, "vine" seems to suggest that the mythology "Hell House LLC" is more confusing than it should be.

The first three films were focused on the persecuted ABadon Hotel, located in the city city of Stuork Abadon. The fourth film introduced a new persecuted location: Manor Carmihael, who was vaguely linked to the Abadon Hotel (also talked about a tragic incident at the nearby fair). "Lineage" is trying to connect all these threads together and explain how and why they are connected. But here lies the problem: the scares of Hell House LLC were increasingly effective when we had no explanation behind them. By getting into such details that Why The place is persecuted, the story loses its power.

Case in point: The most effective scare of the first film came through the trio of clown Mankney, Hunters set in the hotel's basement. Surely, it becomes obvious that these lifeless nonsense are alive and moving on their own. But in that first film, cogels wisely never showed the clowns moving - their movement always happens outside the screen. Their heads can turn in one way when the camera is directed to them, just to turn a completely different way when the camera is cut. It was terrible for its simplicity.

However, as the franchisee continued, the Kojnets continued to return the clowns - and began Display They move. It has been obtained to the extent that we see that one of the clowns walks around and pamperes people as faster in "vine". Of course, I guess can Be frightening - and the Penichand Clown of "IT" and the art clown of the "pillows" series have become iconic for a reason. But it was much more efficient and memorable when the movement was implies In the first movie "Hell House LLC".

In "Hell House LLC: Lineage", Vanessa Shepard (Elizabeth Vermilia), a character who survived the third film events, is left traumatized and haunted while wandering around Abadon. The Abadon Hotel has long been gone, but its curse, along with the bloody events that took place in Manor Carmihael, have caused some kind of trauma across the city.

Vanessa is a slightly weak protagonist. She is shocked by a shell to the point that she simply wants to stay alone. In an effort to move things forward, Kojnets is introducing Alicia (Seara Soca), which has collected all the pieces of supernatural events from previous films. Alicia eventually turns to the father of local priest David (Mike Sutton), hoping to stop evil once and for all.

Kojnets creates a rich autumn atmosphere here that has entered me in the spirit of Halloween, although August is currently, but "vine" suffers from a lethargic walk. I am not trying to imply that the film is needed to unfold at the speed of breaking, but more scenes have clogged, wireless quality for them that do not have much energy needed. That makes seeing a "vine" a little chore. Perhaps this would not be noticeable if the film kept the approach found for recording from previous records.

However, if you are stuck with the Hell House LLC franchise for a long time, you may be interested in the answers that Lineage gives. Regardless of the disadvantages of its design, cojnets deserve credit for trying to expand such a simple idea with such a modest budget. And there are a few moments here - mostly involved in those damn clowns - which refer to the right amount of fear.

But "Hell House LLC: Lineage" also seems to have overestimated how much interest we have invested in this series. The characters have never been a lot of outlets, so I can't think the director could have introduced someone more interesting than returning Vanessa, which lasts too long to shed into action.

The whole marketing material for Lineage says it is the last film in the series, and that is for the best. Hell House LLC films are worth checking if you are a horror fanboy, and the first movie is making a pleasant watching of Halloween season. But it's time to put those nasty clown in bed.

/Movie rating: 5 out of 10

"Hell House LLC: Lineage" opens in theaters on August 20, 2025 before heading to Suder in October.