"Star Trek: Discovery" debuted on CBS All Access on 24.09.2017, marking the pride Star Trek's return to the small screen after a 12-year interruption. As initially conceived by Brian Fuller, the concept of "discovery" was intriguing. It was supposed to happen throughout the history of Star Trek, with each season serving as an independent story. The first season was supposed to be a foretold of the original Star Trek series, the second was supposed to be simultaneously with the original series, the third was supposed to be simultaneously with "Star Trek: The next generation" (set a century later), and the seasons would be in the distant future.

"Discovery" has cleared that idea, kind. Fuller left the show before it was aired and everything was processed several times. Discovery's chronology ended as a little winner, with the series undergoing mass reboot at the beginning of its third season. The first two years of "Discovery" were set just a few years before the events of the original "Star Trek", while later seasons threw the titles ahead in the 32nd century, almost millennium before. The show ended lasted five years, but never reached its full potential Neither really told fully effective stories. It was clear that colleague creator Alex Kurzmann was more interested in violence and mysteries than it was with the utopian ideals of the original Ein Born -Board series. There were many interesting ideas in "Discovery", but writing was rarely strong enough to explore them effectively.

The leading character of "Discovery" was Michael Barnham (Sonqua Martin-Green), the first USS Shenzhou officer, who became captain of USS Discovery during her career. The ship itself, in Roman Trek, has turned access to unique teleportation technology that can use the entire ship next to any point in the galaxy. His five seasons were inconsistent, but each has something worth discussing.

No series "Star Trek", with a possible exception to "Star Trek: Strange New Worlds", once started well. The first two seasons of "next generation" were known rocky, and even the first season of Deep Space Nine took some time to find their position. "Discovery" is no exception, praising the first season that feels fast and wins.

The first season detailed Michael Burnham's involvement in a war between the federation and the clingons and her express wines for its beginning. While transferring back to Starflit's headquarters for a court military, Burnam was taken to USS Discovery, a scientific ship with a mycologist, Lieutenant Colonel Stemmet (Anthony Rap), who recently revealed the Galaxy Meeting of Interdimensional Spases (!). Item finds a way to tie the engines to the ship, allowing him to teleport everywhere. He effectively finds a way to go without actually traveling.

The first season Also, I saw a redesign of the clingons, which was quite controversial at the time, and needed a bizarre stay of the universe of evil mirror, keeping the discovery out of the war for a longer period. Michelle Joch is having fun like a cannibalist tyrant from the Mirror Universe, though she is clearly entertained than we are. Oh, and Harry Mood (Rhein Wilson), a strange antagonist from the original series, returns to cause trouble.

The thought of a ship that could teleport is intriguing, and its existence would fundamentally change the very nature of Star Trek. Unfortunately, "Discovery" writers become too focused on acting, violence and ball-to-theids to stop and think. The season is inappropriate action packed and stuffed full of unused emotional climax. Then, although a war began, the burned the hook. It's a bad season on TV.

The fourth season of "Discovery" I saw many emotional events for his characters. That's certainly the best season for Saru (Doug Onesons), the best character in the series. Saru is a captain of the discovery in Season 4, marking a big change for him. It was previously found that the species of Saru, Kelpiens, was grown as a more aggressive food source. He evolved to live in fear and feel when death was near. He was also taught that if his species was not slaughtered by a certain age, they would mutate in predators, killing everyone around them. However, once released from his home, Saru revealed that he had not mutated in a predator. Indeed, he began to develop a sense of agency. Until the fifth and last season of the show, he even learned to get in.

Unfortunately, Saru's bow is not interesting enough to save season 4 from a dull story that she just repeated from her third season. In Season 4, there was a gravitational cataclysm throughout the galaxy that the discovery should examine. In the end, they discovered that unwittingly made by previously unknown foreign species called 10-C species, a huge race of xenophobic pentament monsters, which were just trying to set up a security field around their planet. The species 10-C certainly remind the viewers of Denis Vilnev's "arrival", completed with communication problems. The problem with the story is that Season 3 also included cataclysm across the galaxy-narrative "Burn"-which unwillingly performed an innocent stranger just trying to defend himself. The whole mystery is a little obvious from the jump, and watching Michael Barnham slowly realized it was uninteresting.

The second season of "Discovery" It seemed as an extended panic maneuver. Perhaps feeling that old school trips were not on the ship for the first season, the show -the show got off and immediately returned a whole panel of famous "Star Trek" icons. The season began with the reintroduction of the USS company and a story that strongly includes Spack (Ethan Peck). In this series, Spack is Michael Burnam's big brother because she was raised by Spack's parents. The second season of "Discovery" is set between the events of the original Star Trek pilot, "The Cage", and the first episode with Kirk (William Shatner), giving both the aliens and worlds they already know.

It is certainly pampered, but at least hereditary characters are fun. Captain Pique (Anson Mount) is super charming, and number one (Rebecca Romine) wears a new, ultra-logical torch. Legacy Lickers have been popular enough to guarantee their own series "Strange New Worlds", which has emerged as one of the better Star Trek shows in recent years. We have a second season of "Discovery" to thank for it.

Unfortunately, the story of the story of Season 2 is as stupid and scattered as the first. The discovery of USS should examine the mysterious red angel, which leaves strange spatial readings through the famous galaxy. They discover that it is a traveler for a time. There is also malicious machine intelligence, called control, and the discovery is forced to escape a time portal in the distant future to kill it. It makes no sense, it is poorly structured, and the level of violence remains too high.

The fifth and last season of "Star Trek: Discovery" serves greatly as a continuation of the episode "Star Trek: The Next Generation" "The Chase". In that episode, Enterprise-D reveals that most humanoid species in the galaxy share a common, very ancient ancestor that planted thousands of world with its DNA trillions years ago. Michael Barnham, who now works in the 32th century, reveals that some malicious mercenaries, named Mol and L'AK (Eve Harlow and Elias Tufexis), are a new techno-like made by the same ancestors and followed by a very similar set of ancient clues. The adventure to find techno-limp is an adventure with Rota "Indiana Onesons".

By this season, the series is barely a "Star Trek" more, which affects the wide tone of action and adventure reminiscent of "Starwalks War". While the old old paths like me can miss the slower, more philosophical tone of the old world track, at least the fifth season of "Discovery" descends the pretense. This is a bold adventure show about races around, firing weapons and sending bad guys. It's not what Trekis has applied for, but it's a decent action program no matter what.

Also, the characters are about long enough to be easily understood, and it is nice to see that Saru passes through a romantic bow. Also, a fast pan over the cast reveals a wildly healthy amount of fagoshic characters on the show. There is one queer pair, trans -character, non -fashionable character and much more. Does it end up satisfactory? Not really; The show did not know until the last minute that season 5 would be their lastBut at least the seasonal story ends and all the loose ends are wrapped.

The third season of "Star Trek: Discovery" Should have been her first. As mentioned, the second season involves the discovery of USS to withdraw over 900 years in the distant future. The crew arrives at a time when the federation collapsed thanks to burns, a cataclysm that, in Blic, destroyed almost all ships that cover the universe in the galaxy. Starflit barely survived, and several strollers entered hiding. The galaxy is now overseeing the emerald chain, a wicked band of gangsters who are losing money that have returned capitalism. Of course, extortion, slavery and corruption have returned with that. Discovery USS, armed with millennium technology, must pass this new, mysterious galaxy. It is a place where life on Earth is dramatically different, and values turn over. Does the integrity of the detection crew mean something in this century, a century when they are forgotten? Or does that mean everything?

The season is still suffering from rushing sound, and is still frustrating that every character is a violent killer (Michael Burnam shoots so many people!). Also, an investigation into burns does not guarantee a terrible interesting conclusion. But for the first time in the history of the show, the characters actually do things "Star Trek". That is, they take diplomatic efforts and talk about their values in the way the situation is. "Discovery" could have been easily distributed with the first two seasons and start right here, by a ship lost on time. The time jump also explains why all other Star Trek ships were not equipped with Discovery teleportation technology: no one remembers the discovery because it escaped in the future. It is a useful band that appreciates this trays.