The Fallout video game franchise has never been particularly daunting, although playing roles based on survival is the essence of these post-apocalyptic stories. This does not mean that these titles are completely deprived of horror, as some monsters designs and elements of world -class products can be nasty when you least expect it. Prime Video's "Fallout" also embraces this ethos, creating an unpredictably devastated wasteland from scratch-as expected, after the strange and dark humorous parts of this world give way to the secrets of cooling the spine, which is best discovered.

After the resident of the vault, Lucy (Ella Pournell) is forced to embark on this lawless world, she has no choice but to face some of the darkest impulses of mankind. Lucy quickly realizes that shelter reality internalized by Vault Dwellers is a lie, like The world out of threads with malicious, bloodthirsty souls Ready to kill and break all on their way for quick repair or supplementation. A grant for amazement and deterrence of Lucy, "Fallout" "Fallout", a piece of its moral huge amount, because its once top view of the world begins to erode when facing the killed or murdered relentlessness of Gulon (Walton Gogins), who haunts every step on the road.

Years before Fallout, Purnell began his career with smaller rolesAnd "Intruders" in 2011 is the only example of a comprehensive horror-treat that Pournell has shown so far (the only other story of the horror-seed in which Purel starred in is the Yellowjackets series). In this Juan Carlos Fresnadilo Flick, Pournell plays MIA, which is becoming the target of a frightening entity with complicated motivations. Although the "intruders" are opened as an intriguing atmospheric horror-thriller that is transmitted with potential, it quickly descends into the craziest genre it offers, thanks to cheap jumps and the final discovery. That said, the basic idea of making the film is worth examining: it disseminates the fabric of what nightmares are created and how these notions can often be contagious.

Major spoilers For "intruders" to follow.

"Intruders" opens with Juan (Isan Corchero), recounting his mother's nasty monster before bedtime, but the child ends up to spoil. This attracts the attention of the entity that lurks in the shadows, which seems to be loved, but this desire manifests itself in the most violent ways. As Juan's fears engage in something more realistic and frightening, he is buried by the monster called Hollowface. As the name suggests, Hollowface does not have its own visible characteristics (similar to the slim man!), That is why he breaks up and brings children with the wrong idea that he wants to be noticed.

A few years later, 12-year-old Mia (Purnell) finds a handwritten story hidden in the tree trunk, which acts as a catalyst for the horrific events to come. After Mia expressed her visceral fear for Hollowface, her father, Johnon (Clive Owen), comforted her, explaining that monsters cannot harm children who do not believe in them. Johnon goes to the extreme ends to disperse MIA's fears, building a giant boog of the basic materials and burning to throw out his daughter's fears at a psychological level. Unfortunately, this burned efficiency turns into a symbol of fear, turning into a child's bedroom and traumatizing its over belief.

"Intruders" is doing everything right while setting its basic premise, as it has original fear and uncertainty in sequences where Hollowface first appears and begins to terrorize children. But this attractive placement is followed by an unusual lull, where nothing happens, except for the expected jumping or establishing a scene that does not pay off in the end. The story feels like a blanket stitched out of materials that are not nets well, where its psychological stimulus descends the moment things are interesting, and its more open horror elements feel bored after a while.

Glimmers on a different film can be collected when someone reads between the lines, culminating in the fear of growth, which affects both the parent and the child. The world of adulthood is constantly presented as wicked because it spills into more protected aspects of childhood (Thread that has been explored brilliantly than better movies), exposing both Juan and Mia to horrors that are too gloomy for their fragile minds. But Fresdilla did not use these valuable ideas or is not investigated deeper in the hollow mitos over superficial research.

"Introducers" can be a decent watch if you are looking for a comfortable horror, as it solves all dilemmas enough to not insult your instinct to stop disbelief.