This weekend sees the publication of "Nobody 2", And that's a landmark. Not necessarily for Starwar Bob Odenkirk; Although it is wonderful to see the Starval "Mr -Show" and "Better Call Saul" continues to stretch its legs by getting into the genre of action, much of the novelty is already worn out of The publication of the first "nobody" in 2021. Instead, "Nobody 2" includes a different debut, that of director Timo Tyahanto who makes his first Hollywood studio film. Born in Indonesia, Tyahanto has been working steadily in genres of films in the last two decades. His first filming was like one half of the Mo brothers, where he and Kimo Stambell teamed up to make three features before they came out alone. These films ran the gammat from horror to action-Horor and pure action, proving male power within those genres. Between those films, Tyahanto dipped his fingers in the Indian horror world, borrowing his talents of a horror pair of horror. For "ABC of Death", Tyahanto made "Libido", and for "V/H/S 2", he and Gareth Evans co-racked "Safe Shelter", which is the best segment of any movie "V/H/s" And one of the biggest shorts for anthology ever.

Therefore, Tyahanto was able to get some features made in Indonesia, most of which discovered a state distribution through Netflix. With each successive movie, Tjahanto seemed to have reached a non -existent award for the deadliest, fiercest film ever made. Despite directing two horror films Solo ("Let the Ilavol take you" and "Let the Devil take you too"), Tyahanto's actions can actually be more bloody. They are certainly more violent, because the characters in his action films not only cut, bruises and slightly bleeding; They are destroyed freakin. Although "no one" is advertised about the power of its brutal, argues action sequences, even they cannot hold a candle to one of Tjahanto's previous films, which It can actually be the most violent action film ever: "The Night Coming for Us" in 2018.

For anyone who reads a short synopsis of the plot to "The Night comes for us", they might think it's just the average operation of the mill. The film is for the ITO (OEO Taslim), a former member of six seas, who are executives of the Southeast Asia triad. During a triad operation in which they order six seas to massacre a village thanks to several locals stealing drugs from the union, it comes to a young girl, Reina (Asha Kenyeri Bermudez), which causes him to have a crisis. Immediately leaving six seas (killing her colleagues triad soldiers, naturally), Ido decided to help Reina escape the anger of the triad, setting a series of events that see more and more killers are coming to take a pound of meat.

In principle, there is a lot of offer in "The Night Coming for Us". For beginners, Tos Taslim and Iko Utais from the Evans Raid Action thriller, with Uvais playing Arian, a killer who wants to kill Ito to take his place in six seas. In fact, the film is essentially "Raid" Reunion, with Jululey Estel and Zack Lee of "Raid 2", also appeared in major roles. Working on the martial arts of the film, in general, favoring Pakak Penkak's style of Uwais, is also superb, and it is exciting to see these actors and trick people literally throw their bodies. However, the extra sauce added by Tyahanto is the purity impact of violence. Every body stroke, blow, bullet hit, piece of knife and more designed for maximum effect, making the film much more intense. Where "Night Coming for Us" could have been the knockout of Johnon Wu or Ringo Lam (or even felt too much at Timo's Pal Evans), standing out by being comfortable.

Perhaps the main reason why "Night comes to us", "none 2", or any of Tyahanto's films, does not feel like films for derivative action is because the primary influences of Tyahanto are not action movies; They are actually horror movies. In interviewsThe director cited films such as "Friday the 13th" and "Texas Massacre" as his inspiration more than Bruce Lee or Jackkeepi Chan Films, and this speaks of his unique approach to action sequences and action cinema in general. Tyahanto's work is just more proof that Horror filmmakers bring increased intensity and increased experience in action movies. "Night Coming for Us" has many talented military artists who do their jobs, to be confident, but the film is able to set aside much more thanks to the pure amount of Tyahanto.

Of course, this game of constant increase in violence can cause fire. Like /movie, Chris Evangelist noted when talking The active epic monitoring of Tjahanto's "Night", "Shadow of Shadow" in 2024. A constantly raised strip of excessive can begin to be exhausting than exciting. Ironically, this is where "no one" faces some trouble, because Tyahanto (whether it's intentional or otherwise), gets into the usual amount of rubber. Don't make a mistake: "No one" is bloody, but when compared to "night" or "shadow", it seems almost tame. Fortunately, the past experience of Tjahjanto helps to complement this in the way he is able to use every environment in the film in clever ways, inserting various items and tools in the action, rather than just using standard sharp objects, guns and grenades.

While "no one" is not even a candidate to beat "night" for us "for the title of the most violent action film ever, it seems that Tyahanto has a greater shade of sleeve than it might have been initially thought. for him to make a truly perverted mainstream action movie. Obviously, I hope the latter is the case.

"No one" now plays in cinemas.