This article contains spoilers For "Nobody 2."

"Nobody" at Ila Naisuler exists in this war between "Johnon Wick"-inspired bone for a switch and a dark satire for an emergency suburban father, who spit on the thought of saturating his sleeping bloodshed. It's enough fun to win, with Bob Odenkirk giving Hach Mansell more than what's on the site. Even in his lull, you can tell the Starwear "Better Call Saul" really worked with the trick team 87 to bring a level of physicality to his bloody fights. With the 2021 film, which deals mostly positive reviews and earned decent success in the box officeIt all seemed, but inevitably the sequel would be ongoing. Now that they have found that Hatch's family is well acquainted with the deadly skills of their patriarch, the next film is thought to appear.

In "No one", Hatch returned to his auditors as a result of trying to pay the $ 30m debt to collect in the first film by burning the Russian Mafia Traveling Bank. He is struggling to maintain the balance in work and life, with a key difference this time being his family's anxiety that his bloody visits are made by a father. Asked to return to their good side, Hach decided to take the Mensell clan on a family trip to the Medi Jivi Bill's Medi Park, the place of vacation, which he used to go with his father (Christopher Lloyd) and Brother (Raz) during his childhood. But even Hatch cannot resist the initial trouble of rest, which leads him to reveal levels of corruption within the Summer city of Plumville.

The outlook for "no one" has become much more interesting when Indonesian action director Timo Tyahanto ("Night comes for us") It was announced that it was filled for Naisuler. Unfortunately, there is no real surprise, weight or visual ingenuity of the bloody massacre, nor unforgettable expansions from the first film. It makes you wonder why they are bothered to get a director whose memorable periods of violence shine in his films, to direct something so neutralized - besides the obvious. /Movie Whitney Seibard was a little more forgiven in his reviewBut among the issues of a thin plot, lazy repetition and poorly pronounced violence on CG, one of the biggest problems of "no one" is reduced to the underdeveloped villain.

Sharon Stone's Landarda has been introduced halfway through the film as a true ruler of Plumlerville, using the city of Hatch, spending the summer in childhood as the front running a push -up surgery. To get a stone to play an over-the-line villain who kills with a smile on his face is such a fun idea. Her order like Female Fatal Catherine Tramel in Paul Verkhoven's "Basic Instinct" proved that she has more than the chops to make a strong fun opponentBut "no one" shortens that potential.

The introduction of Landina follows the routine genre standard to display the random base in order to make a point. If you assume that it stabs a casino patron in your hand, then it is designed, you have previously seen an action movie. She takes a bunch of other people with small razors hidden in nails, and then leaves her pigeons to raise the whole room so they do not leave any witnesses. Some of the other small quirks of Linanda make dance in her black suit, holding her little bulldog and is accompanied by her bodyguards to the assassin wherever she goes. She is very much like Julian of Alexei Serebrijakov in the first film, where we will see a fierce side with her violent mannerisms. The difference between the two is that Julian actually feels like a character and becomes infinitely to do.

The presence of Linanda in "No one" comes with this "I will burn everything on the ground just to express you" the mentality that feels like a front. She mostly made everyone else bid their bidding for her, stepping on when she presented a light mark. There are not many opportunities to communicate directly with Hatch, as he beat her pigeons and tormented her internship, with the couple meeting only in the last confrontation of the film. It also happens to be the scene where Linanda was removed through Backa Mansell (Nielsen) that shoots her with a bear immobilizer rifle.

It seems that so little loss of stone talents. Landanda could play someone else, and wouldn't have an effect on the character, which is not to say that Stone is not on the task - far from it. In fact, her involvement actually made me love her ears in the prospect of her rivalry with Odenkirk, but similar to this film, there is very little on the site to work. I would argue that she gets more interesting evil things to be done at Catwoman in 2004.

The first "no one" shows that this is not the case of a killer who is completely hidden within the boundaries of family masking, because Hatch's wife, Beka, points out that she is always known for his violent past. "No one" gives Nielsen more time on the screen, as Beka is trying to bring back what made her want to marry her husband in the first place. Even more interesting, there are hints all over that Baka has Own A violent past hides below the surface. Bed conversation engages in her passion for animal saving, followed by Nielsen, saying, "Among other things." It gives the impression that they are two peas from the same killer, not to mention that it offers a potential review in their relationship outside the conventional family unit.

The question is that "nobody 2" is full of other lagging, as Beka is a surprisingly great shot in a carnival game, as well as intense stare at the immobilizer gun, but the payment never comes. The tranquilizer is cut through the small knives of Landza like butter as a result of the energy of the mom bear and slightly. It feels like the film is cut into pieces, leaving many threads on the table. In fact, Odenkirk seems to confirm that the origin of Hatch and Beka's relationship initially expanded before being deleted from the story (through Rogerebert.com):

"We have a story of why they met and wrote retrospectives on how they met in various drafts of the film they didn't do. Maybe it will enter the third, if there is one. Cross fingers."

Some reports include an "imaginary" actor Pepper Brown playing a young Beka along with Nolan's young hatch, which appears in a brief retrospective for making summer memories (through People). I wouldn't master this very silly little action movie that evoked the brand's madness in the 80s, if the existing Derek Colstad/Aaron Rabin scenario would not deliberately lay a story for a story that never decides on water. Beka can reconnect with Hatch in a climate explosion posted on Celine Dion's cover of "The Strength of Wall", but without contextual support, their unification really doesn't mean much of anything. The films "Nobody" mainly use their wives as stories, whether it is Stone's unused potential, Nielsen's underdevelopment, or Sammy Mansell on Paisley Kadorat as her father's unintentional catalyst for violence.

"No one" now plays in cinemas all over the country.