Following are spoilers "Alien: Country".

The basic story of "Alien: Earth" Not at all for aliens. Instead, it follows residents of a research facility owned by the Prodigy Corporation, which conducts experimental work that transmits the mind to terminally ill children in immortal synthetic adult bodies. The result is a show starring adult actors who behave like children with an enterprise.

Inevitably, some viewers will come up with that choice. There is something inherent in us that makes it frustrating to see adults acting as children, and the heavy Peter Pan parallel to "Alien: Earth" does not help much. Some parts of the plot are certainly a little disturbing, but I would claim that the load is mainly falling on how the CEO of the Boy Kavalier (Samuel Blenkin) was written and directed. Your mileage may vary depending on the part of children-in-adult-android bodies, but the oeube of how this technology is allegedly functions is fascinating, and it actually makes all the "disturbing" moments of the children's part of the whole point.

Take a look, as explained in the show, these new synthetic bodies do not create any of the natural hormones or other chemicals that regulate things such as changing in the mood or emotional reactions in the human body. Technology just conveyed her consciousness to the subject, not the brain itself. To compensate for this, "Prodigy" scientists make artificial changes to the nervous functioning of children in order to simulate real hormones and emotions. But of course, there will be places where your idea of how a child should feel clashes with the natural way people behave. So, whenever the text undergoes "Alien: Earth" suddenly distracts, defocused or silly, it is probably the result of excessive compensation - artificial interference to make them behave as scientists think that children should act.

Obviously, we can't convey someone's consciousness to an Android body in the real world, so "Alien: Earth" You have to keep things unclear, like any good story of science fiction. But we find out a few key details of how fornication technology works. We know that adult brains are "too rigid" to move, which is why all tests are carried out on children, probably because of their greater neuroplasticity. We also know that while subjects guard their memories, they do not carry the same degree of natural emotional connotations. When Wendy (Sydney Chandler) sees his brother CJ (Alex Lotter) on his video monitors, it seems to be more separated iosubopity. However, when the World Cup is in real danger, Wendy almost trembled, with even a boy Cavalier noticing how much more human and emotionally sincere.

The implication seems to be that most of the time, emotions and artificial hormones of children work on the autopilot, set a certain way by scientists for the fornication. But when something really causes deep bearing memory or emotional idea, their basic consciousness seems to take direct directly.

This creates a really interesting scenario for the actors. Under normal circumstances, they essentially play child simulations, with some basic personality traits and behavior previously set by their former, biological lives. That kind of work is obliged to annoy some viewers because it invokes more stereotypes about how children are, but it is also a fascinating idea. When they are encouraged or pushed to their limit, children are becoming more true to their human alone.

It has a lot of xenomorphic action in "Alien: Country", but it does not have to be felt on a piece of movies. The focus is much more on the cyberpunk side The franchise "alien"With the large conspiracy lines struggling with the difference between biological people, Androids, cyborgs and new fornication hybrids. Where the series retains its kinship with the films most clearly can be in the thematic focus of birth and parenting - something that is the main in the franchise of Ridley Scott's first "alien" movieFrom the violent impregnation of the Xenomorphs themselves to Nostromo's computer is called "mother" (something that returns to "Earth").

It is still early in the series to say exactly where these topics will go, but there is interesting dynamics. Boy Cavalier, the effective "father" of the children in their new bodies, is considered some kind of genius for children - Peter Pan of their lost boys in the elongated metaphor of the show - and now it is unclear how old they are. The two scientists running the project, Dame Silvia (Esi Davis) and her husband Arthur (David Risdal), cannot have their own children, but they develop a strong relationship with their synthetic children in their synthetic bodies.

The technological corporation as a replacement for a functional family unit is quite dark, and has a lot of potential for interesting stories as "Alien: Earth" continues.