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If the film will be mostly close reactions to his leading actor, then the actor should have an expressive face. Akeeke Gyllenhal, who is more than responsible for the law, faced this challenge in the 2021 blame thriller, directed by Antoine Fuka (who used unortodox shooting methods to shoot film during the pandemic) And written by the creator "True Detective" Nick Pizolato.

In the "guilty", Gilenhal plays Oeo Baylor, Dispatcher 911 in Los Angeles. The film takes place almost completely during one of his shifts. OEO (who has exiled past) is pretty disappointed with his job ... at first. Then a woman named Emily (Riley Cef) calls him, claiming to have been kidnapped. Trying to help her remotely, OEO reveals that the culprit is probably her offensive ex -husband Henry (Peter Sarsgard), but gradually realizing his assumptions about the case may have been too hasty.

I have been to defense of defense Gilenhal since 2014, when I saw "Night Traveler" and his performance of swing-for-phans as Errors with Eyes Grifter Lou Bloom. For my money, that swing was home. Gillenhal had previously worked with Fuka Boxing in 2015 Southpaw, An unforgettable performance trapped in a forgotten film. "Southpaw" rested his laurels on Gilenhal, and "winno" takes it even more. Since the camera rarely moves from the OEO bureau, Gyllenhal is one of the few actors on the movie screen and the only one to get a significant focus.

Can compare the "guilty" with other bottle films, such as "Locke", " which is fully set in a car driven by Tom Hardy, who makes phone calls and hears his life collapse around him; "The Secret Holy", where Philip Baker Hall does a human show as a post-Impolition Richard Nixon is discussing his enemies; And "Wine" - the original version of "Guilty", that is, a Danish language film for 2018, which is currently moving on tubes.

The original version of "The Guilty" (or Den Skyldige "in Danish) was directed by his co-writer Gustav Miller. It is the same story, but set in Copenhagen with regionally appropriate characters names; The dispatcher named Asger Holm (Jacob Sedergren), the unprecedented kidnapped woman is named Iben Østergård (Jessica Dinnage), and her husband with the kidnapper is Michael Berg (Johann Olsen). The remake throws in a local color (set during the California fire season, for example), but both films remain on the same song. Both watches in about 85 minutes, also at a loan discount.

Gilenhal produced the "Guilty" remake through his company "Nine Stories Production", when he and his production partners gained the rights to process "Dan Skydji" in December 2018, just months after Denmark's premiere in the film. Obviously, co-founder of Gillenhal and nine stories Riva Marker were impressed after seeing Mahler's film at the Sundance Film Festival. This was not just another movie about Gilenhal, it was obviously a passion project (hence the engagement of Fuka, a director with whom the actor knew how to work).

"Wine" (2021) is a solid film, but there are also Hollywood shortcuts and louder emotions, while the original is a more subtle movie. The remake is literally opened with a Bible verse ("And the truth will release you."

Following are spoilers for both versions of the "guilty".

In both films, it turns out that the woman's husband did not abduct her malicious. She is mentally ill and stabbed their newborn son because she was convinced snakes that crawl in the stomach. In the original, the baby's wounds are fatal. In the remake, he survives closely. This special choice cannot be read as nothing but saws, as highlighted in Our review of "Wine".

Pure resolution does not end there. The protagonist of the film is a former police officer on the street, stuck in a dispatcher, with a court date awaiting, as he shot a 19-year-old criminal-not in self-defense as he claims, but because the boy's crimes have angered him. In the remake, OEO goes to the bathroom, has a feverish fit and calls on his partner Rick (Eli Up), telling him to recognize the truth about the shooting of his trial. Then OEO calls for a journalist (Eddie Patterson), whom he has previously blew, to recognize. The film ends with audio from news reports on the conviction of OEO.

The original is more vague. Asger stands from its desk and enters a dark hallway with a light behind the door at the end of it. He calls someone (we don't hear who) and then walks through the door. Visual redemption symbols are clear, but they still have a lighter touch than the remake. Then, again, the remake was shot around 2020, when consciousness and reactions against US police brutality reached a high level. So, completing the remake that shows one of the guilty police officers accepting their punishment is there for a public catharsis that the reality has not delivered it so clean.

Neither version of "The Guilty" is a bad movie, but the original is still superior. If You can't get overwhelmed non-English filmsWe simply suggest you overcome the 1-inch high barrier of translations. The original version of "Wine" is transmitted to Tubi, while the remake was distributed and transmitted to Netflix.