The comparison of Rodriguez's film in 1996 with its subsequent series is Tad unjust, as the unpredictable energy contained in the 108-minute flicker simply does not turn into a traditional multi-season show. If nothing else, Rodriguez had all the time in the world to develop and reveal these famous characters in his series, to the extent that they became clearly different from their filmmakers (what they do).

For example, Hayek Santaniko Pandemonium aims to shock us with its vampire transformation and this contrast is particularly awkward given the initial connection of the character to traditional beauty/sensuality. This climate point of the twist is radically re -examined in the series, as this version of Santaniko (Eisa Gonzalez) has its hopes and dreams set naked for us, appearing as a complex antagonist in a series that scattered with frightening monsters and even more morally.

As for Gekos, they are very wished by their movie colleagues, making sense from the point of view of the show trying to eradicate us in their perspectives. Seth (DJ Cotrona) is a head and protective, but even his most violent tendencies are calming out of his will to protect civilians (this is a more positive interpretation of Clooney's set, which ultimately aims to ransom in the film). Meanwhile, Richie (Zane Holtz) is not an irrevocable psychopath, but a victim of manipulation, introducing the volatility of his very perceptive mind. These moral gray areas allow Rodriguez to sway the story of some entertaining, interesting directions - which is said to be the first season can feel like an inflated repetition of the film for some viewers, as it offers a mild fun review of what we already know.

Season 3 is a real gearbox here, as it explores a brand new territory that has little to do with Clooni-Tarantino blinking and has a lot of fun while doing it. For beginners, it completely changes the gears and adheres to the format of the monster of the week, which perfectly merges with the comprehensive story that began to feel stale at the time the season 2 was rolling around. As expected, these weekly antagonists are as eccentric as they can be obtained, applied with camps dialogue and extravagance of action on the cheek that direct the film without imitating it. In addition, Holz and Cotrona share a solid report around the world, where this central dynamics helps to insert the series and turn into an exciting, ultravional adventure.

While the first two seasons of "from dusk to dawn" promise under para adaptation to the beloved classic (Who also has a well -received sequel directly to the video!), Season 3 proves that the play may have benefited from a last season that ended things with a bang. Fortunately, the third season does not end with Clifancher, awarding "from twilight to dawn" abruptly, but still a satisfying conclusion.