Everything in Francis Ford Coppola's "godfather" is perfect, even when it is not. In the script that often reads poetry, it is well documented that some of the most beloved moments in one of the biggest crime films ever made were just happy accidents. Sonny of the Jameseiyes Khan throws money The photographers of a broken camera were a picture of spontaneity, and even the opening of Don Corleone's conversation was made even more disturbing thanks to Marlon Brando wears a stray cat On stage and creating one of the most memorable introductions to the characters in the history of the cinema.

Among the basic improvisations that make the "godfather" masterpiece is dark humorous and incredibly heartless death of a traitor - and finding a dough that would be recited for decades. In a tense and firm orchestrated assassination of Pauli Gato (Marton Martino), Dear Capo and a dedicated Corleone family member, Peter Klimenza (Richard Castellano) rises from his car on the village to release and return to his head with a hole in his head. Here Castellano adds a little taste to its "Leave the Gun" line by adding "Take Canoli" as a wonderful gloomy end. The line has become notorious like "I make an offer that he cannot refuse" and "See how they massacred my boyfriend." However, the fascinating history behind it is its surprising origin and the outcome of it, which led to questions in the "godfather Part II".

According to Hollywood reporterThe story says Castellano added additional details of canolies by words of advice from his wife on the screen (and real life), Ardel Sheridan, reminding him to gather a little on the way home. As a result, the man who so brilliantly brought Clemenza to life spread to what simply "left a gun", which he did in the latest version of the film. With a moment as amazing as well, it is understandable why Coppola kept it in editing, making room for what will become a line that will appear at a popular culture time and again for years later. What is bitter for such a monumental moment, however, is that it will affect Castellano's future in the Coppola trilogy.

Initially, Castellano had to return to the "godfather Part II" before the actor made some pretty weird demands. One speculated was that Sheridan wrote all his dialogue in the film, which, understandably, would not have done well. As a result, Clementza was killed outside the screen between the first two films and mentioned only in "Godfather Part II". Even so, that did not prevent his legacy, which was tied to six words and served as a great insight into the world Coppola helped to create.

Just like many quotes, woven into the intertwined story of raising the power of Michael Corleone, "Leave the gun, take the canolies," stood the test of time because of his effortless way to merge the daily world with the brutal and unfortunate one to which the Corlee family belongs. It runs like a perfect one-two and all in the same breath, Clemenza's request is surprisingly unhantable to eliminate the rat and ensure that he gets the canolies of his wife's order at home. It is another great example of making these characters, who live in a world where we will never enter, more relative (and setting the standard for other gangster stories).

This, along with numerous other elements, embedded in the Coppola crime saga, helped establish a standard that all the other equally favored gangster saga tried to replicate it (and even approach). Climena's loveee to food and cooking is no different from the precise reduction of garlic, made by Pauli Cicero (Paul Sorvino) in Goodfelas or "Spring" constant inhalation of fungul that has reached a memorized status. Regardless, however, this mixing of food and deaths in a criminal underground, we are still obsessed with all follows a trace of canolies back to Clemenza, its disrespect for human life and its high priority of dough.