"The List of Schindler", "War of Starwells: Episode I - Phantom Threat", "Take" and "Batman Begins" are really just the top of the iceberg in the fertile and long acting career Liam Neeson. Easily one of the best of its generation, the power and versatility of the actor born in Northern Ireland is nothing stunning. A few things show that better than the fact that at 73, Neeson is now In the actress in 2025 the naked gun As Colonel Frank Drbin Runior, son of Leslie Nielsen's immortal buffon detective in the fraud franchise franchise. Ever since his career began in the late 1970s, Nyson has shown controversial and memorable historical figures, superheroes, mentors, worrying fathers, and even qualified killing machines among the huge series of other characters in over 100 features.

No matter how unlikely as it sounds, Nyson has become an action star at the age of 56 with the 2008 "taken" (courtesy of director Pierre Morel and co-writer Luke Besson), and his cheap exciting exciting-budget-budget-one-one-one-one-one-day man. Regardless of the rather poor quality of many of those films, it is certainly one thing: Neyson is having fun. Honestly, he can afford it for all the classics he has given us for decades. As such, we are here to use the five films that have not attracted enough attention or otherwise neglected and underestimated in a long -term career filled with stone cold fever.

Despite his multilayer roles in various genres, Neyson mostly avoids the western, which is what David von's "Seraphim Waterfalls" does even more than a gem. It is the only horse opera in the actor's filmmaker (not counting the western parody of Seth McFarlin "a million ways to die in the West"), and it is a film that certainly has not received enough praise over the years (probably in a large part (probably in a lot Because it was a flop in the box office).

More than a study of character than a traditional oatter, "Seraphim falls" is a chase than cats and mice between two broken men associated with their past in the American Civil War. The plot with bare bones is a two -hour search between Colonel Carver (Nyson) and Gideon (Pierce Brosnan), as the former evil tries to hunt and capture the latter with a small group of hired hands, traveling through a rough terrain (from mountain to valleys to deserts). Remember, there are no big twists here; In fact, the simplicity of the narrative is what allows inspection and brosen to completely take over and break through the mood of the film with alluring and tragic melancholy, raising it to a higher level. The action is cruel and brutal (almost everything and everyone is shot here at some point) with a little mercy to surrender, but there is also a cordial regret for the loss that subtly converts "Seraphim falls" into much deeper and thinking that causes work. This is especially the case when it comes to its unusual end, which I will not spoil here.

Oliver Hirshbigel's partial-fiction psychological drama is one of those pieces of mood that is a challenging clock. It is unusual, sad and slow, requiring careful and undivided attention, but if you find the right time to see it, the rewards can be plentiful. Truth be told, I haven't seen this film for more than 16 years, but as a young adult in 2009, her heavy story and brilliant layers have presented me the impression that I have never forgotten since then.

"Five minutes in the sky" reconstructs Jimim Griffin's 1975 murder, 19, by Ulster (UVF) volunteer forces leader Alistair Little (Mark Ryder/Liam Neyson) during problems in Northern Ireland. Although the first half of the film shows us that the time frame, the more intriguing part comes 33 years later, when little, out of prison, is to meet OEO Griffin (Kevin O'Neill/Jameseims Nesbit), Jimim's younger brother who witnessed his brothers and sisters. The meeting should be television from the media with the hope of reconciliation, but things do not go exactly as planned - because OEO's main purpose is to kill a little to take revenge on his brother's death. Whether he can go through that is another question.

Nyson is great here as the older little, a changed man who actually remembers how he was a member of UVF, spreading hatred, violence and killing Catholics as if his life mission was. It is clear that this role was vital to Nyson, and he extracted from his Irish roots to deliver a sober and fatal portrait.

When OEO Carnahan's "Gray" came out in 2012, I remember many people being disappointed because there was no other footage filled with action on the "taken" action. Looking at the grades for her audience today, I'm not sure if that perception has changed, but definitely should. Although the trailers are terribly wrong, ”The gray “is a survival thriller With a philosophical and emotional basis that serves as a significant core, despite being another action of numbers against the elements. The Macho Melancholy of Inton is used for great effect here, and the film is driving on its attractive and tragic central performance as a depressing and desperate man forced to fight for survival.

The plot is followed by Johnon Ottay, a sharpener that protects the all-male employees of the oil company in a remote facility in the Alaska Desert. As a recent widow, he is exposed and even considered suicide, but in the end he decides against it. The next day, because he and his colleagues are taking a plane to fly back to Anchorage, engine defects and challenge them to crash land in the middle of nowhere. Out and six other men survive, and we follow them as they try to avoid a pack of wolves and bring it back to civilization.

"Gray" is nothing like other Neyson shareholders, which is a good thing because the role of the waver requires much more than simply delivering another routine -like performance. Here, he is a vulnerable and relatively protagonist who does not have to win the day, but he is fine with that. If you missed or missed this movie then, don't hesitate to give it another chance.

Outside the numerous B-Fricks that were "taken" (and believe me, there are more than them than it can handle), the Jaume Collet-Serra thriller in 2014 is among the better (of which there is very little). Conspiracy, it is almost as impossible as the other, but the magnetic charisma of a magnet, as it is combined, combined with a capable team (Juluiana Moore, Vigam, Lupita Njong, Corey, etc.) and solid direction. Nowhere is it close to engaging and satisfying, as Brian Mills eliminates the Albanian mafia across Europe to save his daughter, but it's fun enough before playing such a protagonist has become a dull routine for Nyson.

In Non-Stop, he was playing Marx, American Air Marshall and NPD ex-officer, which is on a transatlantic flight from Newoufor to London, when he receives a malicious message on his phone, claiming the passenger will die every 20 minutes, unless it is transferred to $ 150 million. It is not long for the chaos to appear, including the indictment that somehow indicates standing standing behind all the shenanigans, and Nyson quickly switches to the Badass regime to find the criminal mind responsible and deliver as many shots and shots of the head as long as possible until the situation is resolved. And, of course, you can't make airline without an accident that landed somewhere in the order.

Spanish director Jaa Bayana "A Monster Calls" can hardly be called underestimated (much less forgotten), but I believe that the key performance of Neyson/voice acting as it is certainly wise, yet a frightening monster of wood. The 2016 film is one of the best fantasies plays - one based on an equally attractive book written by Patrick Ness - for sadness and pain from losing a parent of terminal disease. The plot is followed by Connor O'Mali (Louis McDougall), a 12-year-old English boy whose mother dies quickly from cancer. His way of dealing is through drawing; Hence, in his mind, an imaginary world is born, with a tree reviving to help him in his emotional suffering and to accept the loss he will soon have to face.

"One Monster Calls" is a film that uses its spectacular visuals in the service of transmitting complex emotions to break your heart and then heal it with nessicity and loveice. And his storytelling and execution are intelligent and shocking, bold to go as deeply as they should, and exposing the most difficult truths that the child can face. McDougall is simply brilliant (Revelation, indeed) as Connor, playing his heart and soul in every scene that requires the purest emotions. And the deep, baritone voice of Neyson with an accent perfectly complements it at every step of the road. In the disturbing, but moving end of the film, his voice is and who calms and comforts tears that fall on your cheek like a warm blanket.