When you think of Twin Peaks, you probably think of David Lynch. After all, these are bizarre lynching styles and the alluring of the surreal for which the franchise is best known. But not everything was lynching - far from it. The property was co-raised by Lynch and writer Mark Frost, who had previously cut his teeth on the popular 1980s TV series Hill Street Blues.
While Lynch brought his sensitivity to the film director, Frost brought a recent, highlighted experience of the TV drama-space where he had already experimented with the more ambitious long-term storytelling stories that made his collaboration with Lynch so attractive. Frost also returned along with Lynch in 2017 for The long -awaited third season of Twin Peaks .
Between, of course, Frost worked on a number of other projects, from books to films and other TV shows. But some of those projects may surprise you. Specifically, Frost was brought as a writer for both films directed by "Fantastic Four" in the 2000s. That's the case: the guy who helped create a special agent Dale Cooper also brought Nyoni Storm, something, the invisible woman and Mr. fantastic on the big screen. And while those films have a pretty unusual reputation these days, there is still a lot of fun if you decide to rethink them.
Fantastic Four films are not great, but they are fun time capsules
The artist of superhero film was not so great when the "Fantastic Four" of the story came out in 2005. While DC ruled the media in decades before, starting with "Superman: The 1978 film", that was no longer the case until the end of the 1990s. By the time Frost was brought to the "Fantastic Four" co-writing ship, Marvel took over, with the films "X-Men" and Sam Raimi's "Spiderman" films are the biggest properties.
If you were a kid (guilty), "Fantastic Four" and his 2007 sequel, "Raising the Silver Surfer", I just felt like a sequel to those films. And while they may not be so remembered today (for good reason; boy, they made Essesica Alba so dirty), the tone was very similar. The films were nonsense, camps and relied on the early spectacle of CGI. But the cast was solid, especially Michael Chiclis as Ben Grimm/Something and Ianululian McMahon as Victor von Doom.
The main thing that stands out to return to those films now, when compared to the modern films of the Marvel Universe, is that they are kind of slow. There are not so many activities, with much more time spent on open comedy and character relationships. Perhaps it is that dramatic sensibility with a long form that Frost brought to the table.
Is it good? Your mileage may vary. But it is certainly interesting to see as a superhero blockbuster made on a "only" $ 100 million budget.
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