There are several absolutely frightening bosses in the history of the cinema, but Meryl Streep as a Miranda priest in the "Thevol of wearing Prada" must be among the most frightening. She is the editor -in -chief of the fictional magazine "The Runway", and she is impulsive, sought after and wild. This makes life an absolute hell for her employees, especially her brand new younger personal assistant, aspiring journalist Andy Sachs (Ann Hathaway). As an extremely nightmare as Miranda, it is also a kind of impressive and The Comic's play is among her best (And it really says something - this woman is a center!).

However, when you watched "The Devil Wearing Prada", however, it is difficult not to wonder how Miranda is inspired by the long -term editor -in -chief "Vogue", Anna Wintour, and not only because both are editors of fashion magazines with blunt attitudes.

Lauren Weisberger, author of the novel "The Avolor Wearing Prada", actually worked as an assistant to Wintour before writing his novel based on how she felt for Vogue's office, though she denied that Miranda was based directly on her former boss. A comic book has similarly denied trying to make a cartoon of Wintour, although it is difficult to deny that there are elements of the personality of the famous Vogue editor that looks quite strongly reflected in Miranda's behavior. But what did Wintour think about the whole thing? Her perfectly characteristic answer was pure Anna Wintour and frankly Pure Miranda priestly, too.

According to author Amy he went to "Anna: Biography" (through Fun weekly. Big uh, but it sounds exactly like something Miranda can say about Andy, whether she remembered it or not, so it's a kind of funny. While most of her colleagues described Wintour as more "confused" with the film than it was, there are hints that at least some of the portrayal is stunned. The description of the premiere, which was attended by both Wintour and Weisberger, a slightly more complex image:

"(Director David) Frankel sat behind Anna and (Wintour's daughter) bee. Anna had a seat at the end of the row and, although she had a habit of moving away from the plays that bored her, watched the whole movie. At one point, the bee turned to her and said," Mom, they really got you. "

Although there is really no diseased burning from your child who tells you that a movie nailed all of your (semi-violent) vibration, Wintour was a pretty mother for the film for the most part. She said "60 minutes"That the film was not a real translation of what was happening in this magazine" and it was just "fun". Fortunately, she showed a sense of humor as time went by, even sitting for a one-to-one interview with Comic, where she was joking about the actor for her "most difficult role.

Comic made some significant changes in her role In order to take, including giving the character from a vital moment to vulnerability. It's hard to imagine the "devil wearing Prada" that works without Comic is a really cruel momentLeaving her to be human, so may Wintour admit it. Or maybe the game only recognizes the game.

"The Devavol brings Prada" did nothing amazing with her story, but one place where she shone was to allow her female characters to be truly messy and complicated. While most of the main characters get at least one or two moments when you really need to sympathize with them, none of them are the types of people you would really like to be near. They are all self-service, obsessed with a career and are ready to be capricious and cruel as a means of survival in the business world of eating, which is even harder to navigate as a woman than as a man, fashion industry or not. The industry has attracted each other, and while they definitely find out this to some extent, there are a sequel to the worksso they couldn't learn that Lots of playing nice, are they?

Wintour could only be a loose inspiration for Miranda, but the interpretation of a comic book for the character and The Starweet's PowerVar has helped make the "devil wearing Prada" The classic is today. She made it important to look good.