Most of us are pretty accustomed to the idea that Horror movies are a great way for current actors to get a foundation in the film industry. It is primarily thanks to the 1980s Horror Boom, giving the possibilities of numerous thesis who have become actors in the A-Essium list; People like Tom Hanks, Kevin Bacon, Meg Ryan and others. However, the idea of a horror that gives the first chance to future stars is not transmitted in the last 40 years. Of course, Horror's reputation was certainly waving during the classic Hollywood years, which means that the films in the Horror studio were not as fruitful as the Western, and many other young actors found themselves driving a horse more often than running through a spooky castle. However, the horror was always popular, and during the 1950s, the studio began to get excited about the new trick that would briefly revitalize the genre: 3D.

The 1953 Wax House is, in retrospect, a little milestone in several aspects. The film is an adaptation of Charles S.'s story. Belden since 1932 "Wax Della", previously made in Michael Curtis's film in 1933, titled "Mystery of the Wax Museum". (That version was also a trick movie, being One of the few films shot and presented in a two -color technician.) So, since the "wax house" is an effective remake, director Andre De Tot has decided to give the film an extra spice by choosing to shoot it in 3D, using the Milton Gunzburg natural vision system, which made a sprayer at the "Bvana Devil".

Moreover, De Tot threw Vincent Price into the leading role of crazy professor Henry Arrod, saving the actor from fall. Price performance in "House of Wax" helped to cement its reputation as The prevailing horror Starwar of the day and essentially began the price in the next stage of his career. In the middle of all this was the role of Arrorod's assistant, Igor, a part that someone had to play physically and with a frightening glow. The role is filled by a young actor named Charles Buchinski, who will change his name a year after a "wax house" because of the red quail that hit Hollywood. That new name will be Charles Bronson, and the actor will soon continue to act in numerous Western and action images after his look "wax house".

While the "wax house" will make Vincent Price synonym for the horror genre, it did not do the same for Charles Bronson or Andre De Tot. For both men, it was the only horror movie they ever made. (In the case of Bronson, this only applies depending on how you categorize the 1983 thriller "10 to midnight", in which Bronson plays a police officer on the Skeevy serial killer track.) By the time of "Wax House", De Tot has already made a name for himself as a director of "Eggean." Despite the success of a "wax house", the director has never returned to the horror genre.

However, De Tot was clearly impressed by Bronson's work as Igor in the film, enough that the two worked together several times consecutive. De Tot threw Bronson into the film Noir "Crime Wave" and the western "rifle" (both 1954). The latest film helped establish Bronson in the western genre, which continued during the rest of his career with classics such as "Seven Seven" and "Once, West Time". Bronson's tough man also served well in the genre of action film, genre, Taking it from crime pictures as a "machine gun Kelly" to films like the "mechanic" and, of course, The Grit Series of "Deathly Desire" vigil.

Ironically, Bronson and De Tot were almost working together for the last time in a completely different genre: the movie about the superhero. Thanks to Bronson's good relations with director Richard Donner (appears in two of Donner's early features, "X-15" and "Lola"), Bronson became one of the actors of the audition for the title role in "Superman" in 1978. Of course, that part went to the then city of Christopher Reeve, but Bronson won instead, he would work again with De Tot, who was hired to do Several unspecified second unit directed by the film's flying sequences. Although Bronson has appeared in various small roles in films and TV episodes before his performance as Vincent Price's eerie Henchman, it is clear that the "wax house" was a turnaround in his career, making him a member of the Charter of "Actors who received his break".