At the end of The second season of "Grade", Mark (Adam Scott) arrived in a special cabin room that represents a strange and rare opportunity. While inside the cabin room, Mark is his "nons", ie. He only has memories of work within the dark corporate basement of Lumon. He has no memories of his life outside of Lumon. Then, when he enters the door of the balcony, Mark returned to be his "Outie", ie. He only has memories of his ordinary life and cannot remember something that happens in the Wallsids of Lumon. Although Mark only changed back and forth between two groups of memories, bifurcation made Lumon employees think about themselves as two different people.

Outie Mark, up to that point in the series, revealed that his assumed female wife Gemema (Dichen Lahman) is actually alive and is held in captivity in sub-under-to-under-on-up-to-up-to-under-to-up-down-ups. However, to free her, Okti Mark must persuade Ini Mark to help. Ini Mark, as you can doubt, does not want. Since he has no memories of Gema, he has little in question to save her. Also, Ini Mark has developed feelings towards his associate Helly (Brit Dollen), and leaving Lumon will essentially end his life.

Thanks to the balcony in the cabin, the two halves of Mark can communicate. Outie Mark writes a camera message while sitting on the balcony and then stepping inside, where Innie Mark takes control and sees the message. Ini Mark then recorded her rejection and steps outside, where the Outie Mark watches. That's the easiest way Mark talks to Mark.

Scott recently talked to EWAnd he described that scene as an immensely strange. He discovered that while repeating the scene and nailing the technical aspects of playing two characters, Scott would have to pause to notice that "cutting off" is a very strange program.

Scott, the creator of the show, Dan Eriksson and episode director Ben Stiller, all had a plan of how to shoot Ini Mark/Learn Mark, but discovered that they had to leave the plan very quickly. When Adam Scott received the episode scenario, he got a camera and filmed both halves of the stage in his apartment. The idea was to use the footage of the set of the set, giving Scott and the editors to react something to the stage around. The scenes with an apartment-tape will then be replaced, in the post, with footage of the set.

But because of the nature of the "separation", the scene was prescribed in the fly. The copies were made by Scott's home footage reported. In the end, Scott and Stiller just recorded the latest draft of the script with the help of a set camera to shoot live footage. The shooting of the stage played more or less the same way as the scene itself. Scott realized that filming the stage would be a strange acting experience, but the surreality of everything hit him hard. As he said:

"I think that part of what I was thinking about, at least at the beginning of the scene when they first start talking to each other and looking at each other on these screens, was just as strange, and just taking some time at the top to wonder how weird it is. A moment for people to react, like a person.

The real Adam Scott It began to lose memories of what the outside world looked like, it seems. Which is entirely appropriate for "severance".