In Lee's Romanian series "Jackec Ricer", the title is always on the move. As someone who doesn't want to calm down in one place, tocher travels a a lotSquatting in abandoned buildings and brings nothing but toothbrush and ATM card. Sometimes when on a mission, Reacher has to use the mobile phone, but upside down very little on your name is an anonymity gift. Since he has nothing to be followed by his past as an army master, Rochion can assume any identity he wants without raising immediate suspicion.

Jackec Rice has never been a conventional heroic figure, like The child shapes it as a morally sound goliath that sticks to their code. This complexity has caused an enthusiastic reader/audience interest in Reacher's daily life because he does everything he does not do the traditional hero, but still manages to look like the coolest person in the room. Everything about Reacher is minimalist, immediately from his chosen cheap, durable clothing that helps him fit in his approach to bad guys who don't hear a reason. When words fail to make an impact, Reacher's fists make all conversations, and sometimes these one -sided conversations are loud. At the end of the day, Reacher embodies pragmatic iniquity: it is instinctive and head level at the same time, chaotic neutral in the true sense of the term.

In the interest of illuminating more intimate aspects of pragmatic, but instinctively vagabond, the child discussed the subject with Long -time Jackack Ricer fan Steven King (who knows something or two for writing memorable characters) during An event of 2015 held at Harvard University. This wide range of conversation has referred to one of the biggest problems faced by crime thriller writers: balancing their drama with enough realism that readers can behave and invest in what they read. In this case, the authors referred to the choice of Reacher to routinely discard clothing and to fuel the new ones, which the child explained with the cheek's cheek. He is what the author had to say.

Although there are several repetitions of Reacher within the live area, Alan Richson's area in Prime Video's "Reacher" series is the most unusual and memorable version (So far). Richson carries a subordinate vulnerability to the role, playing a character that may contain a multitude without feeling too different from the children's literary colleague. In this version, Reacher is honestly warm, but it is also capable of being justified by retaliatory when the occasion requires it. But when he does not chase criminals through the roofs or raging a guy's bait twice as much as his size (!), Reacher is quite chilled as a vagabond figure who occasionally stops at the pion store to sell old records.

Richson's reacher seems to have an affinity for mono-color combinations and jeans that are usually accompanied by working boots with a tone that can lower the disease. Reacher rarely changes the boots in the series, but saw it lying on clothes to wash clothes instead of buying new ones. However, this seems to be more than an emergency measure, unlike being a constant habit.

King brought Reacher's tendency to reject clothes (instead of washing them) during a conversation with the child, citing how it is "not very politically accurate", but at least, clothing is "biodegradable". King also mentions Reacher's habit to iron the pants by sticking them under mattresses in motels, and the child elaborates on these hyper-specific habits to some extent:

"I think the clothes thing was rigorously rational; they have placed on the agenda of what you're going to do about Clothes and Laundry, so I think that was just a rational anal. Ever noticed it. For Several Days, He's Wearing the Same Clothing.

I don't have much to say about the American versus the European debate about the Reacher's tendency to wear a pair of jeans and a T -shirt (and underwear!) For a long time, but Reacher seems to be a kind of person who appreciates the competent efficiency above all. Motors offer baths to wash (and mattresses to "iron" clothes, obviously), but when it feels time for a new set of clothing, he simply rejects and buys new ones. Needless to say, this adds a sense of solid machinism to its appearance (it is aesthetic mirror in Richson), and is reflected in the ethos of the DIY that defines Jackec Ricer as a character.

While most crime thrillers do not look at many worldwide, everyday routines in favor of excessive dramatics, Jackack Reeker makes both and does both well. What more can you ask for an enthusiast for the genre?