British actor Tom Hardy is not afraid of dealing with some serious and challenging roles and his Role in Nicholas Crime Film, Bronson in 2008 at Refn in 2008 is a perfect example. In it, Hardy depicts a fictional version of a criminal in real life career Michael Peterson, who changed his name to Charles Bronson in 1987, and he goes completely wild. We see him as a semi-man, semi-woman (divided vertically) and should also see as he gets naked and slips into butter before fighting the entire prison guards' team. However, somehow, Bronson is not the craziest role of Hardy. That difference goes to another semi-historical crime film, which is very loosely based on a true story: the 2020 Capon thriller "Capon".

Capon did not do well with critics or audiences (despite /film Chris Evangelist right Boasting the performance of Hardy And absolutely Gonzo Gothic Horror on the film takes over the history of gangster), but it is a truly unique project that deserves a little more respect and gratitude. After all, when you get an actor as intense as hard giving movie This Bonkers some of his best things, guaranteed to be fascinating.

Trans was in director of director A few years after its reboot of the "Fantastic Four" in 2015 he was an unexplored disaster, but with Capon, he was given a free record. Tran wrote, directed and edited "Capon", and that is his only vision that captures the infamous gangster al -Capon (Hardy) in recent years, as it has been dying of complications due to neurosephilis. Previous gangster presentations best known as "Scarface" (long before the fictional Tony Montana once had anything to do with the monik) mostly presented him as a sublime figure, the head of the crowd that ends all the heads of the crowd, but the version of the tranquility, but the versions of the realmen of the real life. Capon has more in common with the other world Telling a similar dream of "Sopranos" Than something like "godfather", but it works because it is more than a horror movie than a gangster story.

Capon has won several battles with other gangsters and the law in his life, but in this film, he is slowly losing one with his body and mind while getting worse and has nothing to do. His reality becomes a viewer and we see the terrible delusions he suffers, his mind torments him as his body begins to fall completely. Trank has not spared us the dirt of Capon's slow death, showing a number of moments of dignity disorder, including Capon to lose intestinal control in bed. ("If you hate this movie, it's perfectly good because you respond to something that is pretty real," said Tran Thr. "I was dealing with people late in their lives in my family, which defecate. That's a real thing. It happens in life. Were I was exploitative about how much I was dressing in bed? Yes, to climb a little, but that's what I wanted to do. That's what I wanted to do.

Capon is not a glamorous role and it must be quite uncomfortable to get into the main space of such a character, but Hardy absolutely understood the task. He gives everyone in Capon, delivering a play that is absolutely unforgettable No matter how you end up feeling about the film as a whole. He relies on the strange as hard as he does with all his roles, but here's the perfect match because he goes a complete method and really becomes gross and unstoppable. (However, the film's insincere hero is insufficiently used, but truly spectacular Linda Cardinine as Capon's cute suffering wife, May, who provides a grounding presence for Hardy to oppose.)

While some audiences were delayed by a very loose interpretation of the last days of Capon, and others were simply excavated, for each with the stomach, Capon is a must. Where else would we witness Tom Hardy singing "If I was the king of the forest" by the "Wizard of Oz", to attack people with a golden gilded pistol Tommy, or a carrot chip, after his doctors took cigarettes? Hardy always swings big, but with Capon, he threw the road, exit from the park.