The kinematic impact of Legendary producer and director of B-Film Roger Kunman cannot be overrated. The original "king of the cult" was a clever and stunning operator who identified a gap on the market during the 1950s, namely among a young demographic of films that wanted cheap excitement when they went to their local theater or driving in the theater. And he gave them what they wanted in abundance, producing over 300 images and directing about 50, often low -budget spots full of sex, violence, rocket ships, monsters, warm rods and a very rebellious attitude. The other side of the Korman was a "good taste" taste, which distributed three best Oscar -language Oscar winners (Amarcord, Dersu Uzala and Tin Tapan) and brought Akira Kurosawa's likes, Federico Fellenico. Not only that, his films served as launch for many future directors and actors such as Martin Scorsese, Francis Ford Coppola, Athonatan Dem, Robert de Niro, Sylvester Stallone and Sandra Bullock.

But despite all that and Making some pretty good movies On the way, Corman will always be most remembered for his slab. In this regard, he is probably best enjoyed from a distance, unless you are really in bad movies because he has made a huge cruel amount - flix like a "teenage cave man" and "Cancer Monsters" are just for survival with a riff -rally from the guys "Mystery Scientific Theater". But say what you want about quality, low-budget films were clearly intended to offer fun and a few kicks without offending anyone too. While there are some controversial titles in his filmography (such as "deep humanoids"), to a great extent, Corman was not in the business activity of scandalizing spectators Unlike Splent Grandpa, Herschel Gordon Lewis ("Two Thousand Maniacs!" The foul of the censorship in the UK and remained on the naughty list until the year he died in 2024.

Coming out of the immersion of the "lighter films" of the 1980s, which appeared in the shadow of Michael, Asoneyson and Freddie (of the huge successful "Halloween", "Friday the 13th" and "Nightmare on Elm Street" Franchises), "The Pooping Massacre of Drums", followed by the events of the 1982 "Party Massacre of the Party". Courtney Bates (Crystal Bernard), a survivor of the previous bloodshed, is now a high school student who torments the maniac nightmares who terrorized her and her friends in the first film. Inexplicable, he turned into leather -dressed rockabili friend who has an electric guitar/power combo playing Atanas Ilyich, successor to the little Caesar pizza empire.

Despite her traumatic previous experience, Courtney is still heading to an isolated house with her girls to celebrate her birthday, where they are inevitably accompanied by a few horny teen guys. As you can expect well, this scenario gives the third act when the killer manifests himself and will attract his victims one by one with his very false power tool.

The theater cuts of the "Dramk Party Party II" watch in just 75 minutes, and we don't get our first real murder for more than 50 minutes in the film. Most of that building is just the girls who socialize, play in their garage band, dance and have a pillow fight. This can frustrate hardcore addicts, but at least a credible friendship is being built among girls before their dates and the supernatural killer appears.

Unfortunately, the killings are not worth the wait. It is quite mild and repetitive compared to many other wavers from that period, as the drill killer appears, exercise someone to death and occasionally breaks into a song before the next curvature. It is clearly influenced by Freddie Krueger (though less daunting and much better), he is still a hallmark of the film and gets a real show-dance number in which Mimi, pauses, pirouettes suffocated and suffocates the way to his next victim. It's all very light and a little too much Jockey for its own well, and the weapon of choice is one of those stunning "only in the 80's". However, there was a serious thought behind the killer's guitar. According to the writer-director Deborah Brock, she "(visualized) the violent sexuality of the male rocks 'n' roll and slasher movies".

"Massaker Massaker II" is a horror-comedy musical with a little fuss, a flash of free nudity and has no real scares of any note. However, it was held for certification by the British Board for Classification of the film (BBFC) by 2024, while more extreme material such as "Cannibal Holocaust", "The Killer of the Drill", "Cemetery House", "" "Last House Left", "" And the "SS Experiments Camp" have been far before (though some with significant reductions).

All of these crazy titles, and more, except, contributed to the "video nasty" furor that broke out in the UK during the 1980s. The BBFC was first founded in 1912, but faced the most challenging period in the early 1980s, as a result of the influx of unregulated video releases to home. Many of them did not receive a theater edition and were therefore not certified, which means that the public had uninterrupted access to some of the cheapest, the most conscious, bloodiest and different rubbish in the market. Under the pressure of the media and the constantly awake moral crusaders such as Mary Whitehouse, the Director of Public Prosecutors (DPP) has drafted his first list of troubled titles (called "Video Gases") in 1983, followed by the Law on Videos in the Next Year.

With the establishment of the legislation, it was the responsibility of the BBFC to exclude the most offensive films from the cinema and home video. The supply of non -classified lanes has become a crime, but a big problem was that censorship did not distinguish much between really unpleasant things and films with original merit as art and/or entertainment. As a result, films such as "Exorcist", "The Evil Dead" and "Ownership" of Andrei Zulevski caught the cross -fire. In some notorious cases, movies as innocent as "I miss you, hugs and kisses" ended up on the list, simply because someone has appealed.

As for the "Drum II party massacre", it is far less shocking than dozens of other drawers in the 1980s, but was still considered inappropriate for the BBFC classification in 1988 and remained since its release after the film distributor refused to make cuts. The film was delayed with 15 certificate (suitable for people aged 15 years or older) in 2024, which means that Britons still in high school can now rejoice in the dance moves of the skin killer.