In the episode "Star Trek: Strange New Worlds" "Wedding Svona Blues", Spack (Ethan Peck) wakes up to bed with nurse Capel (Esses Bush) in the morning of their wedding. They are blessed and happy to celebrate their spirits, and are looking forward to seeing all their friends dressed in the ceremony.

This is an iousubopite place for Spack to wake up, however, because the couple has never engaged. Indeed, they have recently announced that they will certainly not make a relationship, allowing Capel to start a relationship with a man who is driven by Corby (Silian O'Sullivan). As Spack will eventually learn, reality has shifted under the hands of the playful god played by Reese Darby. This divine being felt that Spack and Chapel were in each other and decided to use his forces to organize a wedding, to erase everyone's memories and forced them to play a great romance. Only Spack and Corbi were considered to be aware of what was happening, and only after a special time emotional outburst. Will Spack and Corbi be able to oppose their captain and get rid of the illusion before the Spack gets the chapel?

Of course, the false wedding reaches the real ceremony, and Spack and the chapel face each other at the altar. With the officer of the God -fearing entity, Spack should continue the shot. He quotes Love Sonnet XI's first strict strict strict 1959 Love -Love Song of celebrated Chilean poet Pablo Neruda, and the chapel has been moved to tears. Spack should admit that he has feelings for her, though she knows that marriage is a shame.

"Star Trek" has always been a fondicist of classical and literary references, so now we travel we have to explore that song. What was the meaning of "I love my mouth?" Let us analyze.

The full strict that Spack quotes is as follows:

"I love your mouth, your voice, your hair.
Silent and hungry, I break through the streets.
Bread doesn't feed me, dawn disrupts me all day
I hunt for a liquid measure of your steps. "

Neruda's song continues to compare to the hungry pummy, hunting the heart of his lubricant like prey and describes her hands as "the color of savage Vestecy". He wants to "eat sunbathing in your beautiful body." Neruda's song is uncertain thirsty, comparing the Loveub with primary appetite. Not explicitly sexual, but is a song on the body, a song of desire. The lust presses from below the surface with each word.

It is immediately worth noting that 1959 is surprising recently for "Star Trek". The franchise, when making literary references, usually wants to look back for centuries, reaching deep in the public domain area: ShakespeareBerlioz, Doyle. The age of her references got rid of the "Star Trek" on a commercial dimension (suits for the post-capitalist future of the franchise), while means that the classics will remain classics in eternity.

"Love Sonnet XI" is an unusual choice of a song for Spack - a character who, during the history of "Star Trek", was withdrawn and emotionally withdrawn. "Strange New Worlds" introduces a previously unprecedented chapter in Spack's life, when he sharply moved away from his father's cold logic and fell complete in human emotions. It is a little stiff, but the "Strange New Worlds" version of Spack is scattered with lust. Although it is only about five years until the events of the original "Star Trek", we caught up with Spack when he goes through something like adolescence.

Pablo Neruda is one of the most famous poets of its generation and is often cited as one of the best of all time. He was awarded the Nobel Prize in Literature in 1971 and died of prostate cancer in 1973, in the middle of Augusto Pinocet's coup. There have been rumors for many years that Neruda, when looking for treatment, was secretly injected with poison from Pinochet's military styles. This is not true, but of course it seemed possible.

Neruda was, as can be concluded from those rumors of his death, a passionate Communist and joined the Communist Party in 1945. He was trying to make poetry available to the people, releasing literature on her bourgeois traps. Early in his career, Neruda thought that art should not be political. Later, he took the full opposite view, declaring (correctly) that the whole art was political. He was once quoted as saying (According to Pete -Summer):

"Magic and crafts are the two permanent wings of art, but I believe they are the ones that distance themselves from the fire on which culture is burning, rather than saving it (even if it means to ignite their own hands), who are traitors to poetry."

All artists, he feels, must engage in culture and politics, otherwise they are irresponsible. Neruda is, in this regard, perfect for "Star Trek", another work (though commercial) aimed at - at the best time - for cultural comment. "Star Trek" has many episodes relating to fascism, racism, sexism, Revolution, terrorismHomophobia and the dangers of capitalism. It is set in a post-scale in a Utopia without money or religion, where resources or properly distributed and technology are dedicated to the release of the war galaxy and want. Neruda was alive long enough to see Star Trek, but as far as I managed to determine, he never saw it. I think he might have liked it.