Magnum opus of Steven Spielberg "Schindler's List" It is a constant display of the crimes of the Holocaust and there are many scenes that awaken you to the core. One of these is the liquidation of the Krakow Ghetto, where SS officers break up through Jewish homes and women's homes, throw their items from the balconies, spray them on the street and line them to shoot at a firing team.

The scene is filmed with a handmade camera, which reflects Schindler's stray eye. We see everything from a distance, while Oscar Schindler sees the hill while on horseback. Framing also reinforces its elevated station as a rich man and a member of the Nazi party itself. Since Schindler gets so far and with such a wide range, Jewish men and women appear as doll figures, giving their slaughter unusual. From the shock and sadness of the face, we realize that Schindler faces the disturbing reality of what is happening in his country for the first time.

Amidst the chaos and the massacre, a little girl wandering the cobblestone streets, surprisingly unnoticed by Nazi soldiers. The camera zooms in to match Oscar Schindler's reduced focus on it. Her red coat is easy to notice because she stands out against the Drazar Sea of Black and White. Obviously, voyeurist tension is built as she avoids meletta around her, and we are afraid that this little, innocent girl can be killed at any moment. The scene is deeply moving, but it also asks the question: why does Steven Spielberg chose the red color and this character to stand out in otherwise monochrome film?

For Shindler's "List", Steven Spielberg singled out his blockbuster techniques to approach this serious material with respect. Despite the studio protests, Spielberg was unwavering that the "list of Schindler" was filmed in black and white because it caused historical material, such as well-known release photos taken by allied soldiers after entering the heinous concentration camps. This makes the decision to add color spraying. In Oral History of "Shindler's List", Steven Spielberg explained his intentions with the red coat:

"I thought it meant much more than just overwhelming an Oscar. For me, it was like waving a red flag in the world that, because of my own anti -Semitism, refused to pay a lot of attention to the Holocaust, including Roosevelt, Churchill and Eisenhower,

During this scene, the Oscar finally pays attention. He collaborates with his accountant, Iljak Stern, to bring over 1,000 Jewish people to his factory as workers, keeping them safe from genocide.

Bold color also brings to mind a little red: an innocent girl gowned in red, which is driven out of a monster. When the little girl in the "Shindler list" hides under bed, the coat turns gray, and she becomes just another sacrifice. The next time she appears on the screen, it is a picture of her small abdomen, lifeless body rolling on a trolley; Her red coat is fueled against the black-and-white bunch of corpses that surround her. Now, the red symbolizes the spilled blood of millions. In many forms, red is red A burning reminder of individual lives lost in this devastating chapter of history.