If you want to understand how the director like Bong Oonun Ho became the master of juggling with such wild differences in the same movie (and often in the same scene), a good place to start would be His list of the 10 biggest movies Of all the time for the view and sound survey of the British Film Institute. There, you will find Kim Ki-Yang's horror film in 1960 "Handmaiden" comfortable rubbing on the shoulders with the tragedy after World War II of Hu Hsiao-Hsien "City of Sadness". There's some magic realism in there as well (Alice Rohrwacher's "Happy As Lazzaro") and a trio of serial Killer-IT "Psycho"), but you've got the Got Martin Scorsese's "Raging Bull" and Luchino Visconti's Epic Family Drama "Rocco and His Brothers". That horror is so pronounced here should not be a surprise for the director who made three films that fit that genre, but Hu's film is an unusual choice given his insufficient right. And for a director who wants to indulge in a pretty broad comedy, where are the funny things?

So let's skip the 10th favorite films of 21st Century Director Bong, what he submitted to the Newujork Times as part of a recently published publication survey. Once again, there is no complete comedy in the mix, though I would say that Fincher's "social network", George Miller's "Crazy Max" and "No Country for the Elderly" by the Cohen Brothers " At times they are quite funny. I am afraid that this list is as enigmatic as his top and sound top 10, but it is fascinating for me that he chose Steven Spielberg's science fiction, and did not decide on the one who made the Top 100 Times.

23 years after his theater edition, Spielberg's "Minority Report" is unconvincingly conscientiously sight For the future where crime is prevented by a militarist police force that operates on the upcoming prophecies of three oral "overguard". This was Spielberg's first film after fulfilling his movie promise of Stanley Kubrick with "Artificial Intelligence", and the director with commercially mind was convinced that it was more than delivered to the excitement department. This does not mean that Spielberg is compromised; Although I think it weakens Tad in the third act with a plot twist, it is still one of the most thoughtful studio films of the modern era.

However, when it comes to the science of the 21st century, Spielberg made my "war of the worlds". This is the director's response to 11.09, and he explores American paranoia and rest in a way that he really did not touch On, yes, underestimated "1941." Meanwhile, his placement on the foreign invasion is a de -force of pure terror; This was Spielberg of the "jaws" who rushed taller and stricter than ever. Some viewers appeared with the "happy" end, but Tom Cruise's son who returned to him was physically unharmed was a well -earned victory because he made the correct choice earlier in the film (by staying with his much younger daughter).

So, Kudos to Bong Oonun Hoe for choosing wisely with his survey of time. I would like to explain this choice at some point, but for now, it is enough to know that he is an enlightened cynification.